15世纪柏拉图-亚里士多德论辩中的蛇/龙

Maria V. Semikolennykh
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引用次数: 0

摘要

蛇或龙和它与屠龙者的战斗是一个传统的神话和文学主题。当一个对手——一个分裂者,一个异教徒,一个政治对手——被比作一个有毒的或喷火的怪物时,它也经常出现在辩论的语境中。特拉比松的乔治在他的《亚里士多德与柏拉图的哲学比较》(1458)一书中对柏拉图和柏拉图主义者进行了戏剧性的描写,其中引用了许多末世的形象,其中还将柏拉图的教义与蛇、龙或多头九头蛇进行了比较。这并非巧合:乔治将柏拉图主义的胜利(他希望阻止这一胜利)与反基督者的胜利进行了相当明显的对比,后者通常被描述为龙或与蛇有关;与雄辩和奸诈的蛇的联系也是透明的。特拉比松的乔治的反对者:巴西里奥斯·贝萨里奥,西奥多·加沙,Niccolò佩罗蒂,多米蒂奥·卡尔德尼,-无视乔治的“末世论”指控。然而,他们也诉诸龙、蛇或奇美拉的形象,将其应用到乔治本人身上——在他们的作品中,他与“蛇形舌头”和“感染一切的呼吸”的斗争变成了一种集体屠龙。本文讨论了特拉比松的乔治、Niccolò Perotti和Domitio Calderini的作品中蛇/龙的比较例子,它们的背景,以及对蛇/龙主题的各种解释。参考文献15。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SERPENT/DRAGON IN PLATO-ARISTOTELIAN POLEMICS OF THE 15TH CENTURY
The serpent or dragon and its fight with the dragonslayer is a traditional mythological and literary motif. It is also common for a polemical context, when an adversary — a schismatic, a heretic, a political opponent — is compared to a poisonous or fire-breathing monster. Among the many eschatological images that George of Trebizond cites in his dramatic characteristic of Plato and the Platonists in Comparatio philosophorum Aristotelis et Platonis (1458), there is also a comparison of Platonic teachings with a serpent, a dragon, or the many-headed Hydra. This is not a coincidence: George draws quite obvious parallels between the triumph of Platonism (which he hopes to prevent) and the triumph of the Antichrist, who is often described as dragon or associated with a snake; the association with the eloquent and treacherous serpent is also transparent. The opponents of George of Trebizond: Basilios Bessarion, Theodore Gaza, Niccolò Perotti, Domitio Calderini, — ignore George’s “eschatological” accusations. However, they also resort to the image of a dragon, snake, or chimera, applying it to George himself — in their writings, the struggle with his “serpentine tongue” and “all-besmearing infectious breath” turns into a kind of collective dragon slaying. The article discusses examples of comparison with a serpent/dragon in George of Trebizond, Niccolò Perotti, and Domitio Calderini’s writings, their context, and various interpretations of serpent/dragon motif. Refs 15.
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