在没有记忆的阴影中?痴呆症在当代善后写作中的作用

Kirstin Gwyer
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引用次数: 1

摘要

在最近的神经科学、社会学和病理学交叉研究中,我们对痴呆症的隐喻概念化机制一直是广泛审查的主题。在当代西方社会中,从媒体和政治话语到电影和文学,以及医学科学术语,“关于痴呆症的一系列充满情感的隐喻”(Zeilig 2014a, 258)在“大众想象中无处不在”(Zeilig 2014a, 258),这一领域的当前工作旨在使我们对这些假设敏感,这些假设为我们告诉自己的文化叙事提供了信息,关于这种复杂的疾病,我们仍然在经验和医学上完全无法掌握。特别是在痴呆症研究和老年学之间的联系领域,在探索社会结构和生物医学状况之间的相互关系如何不仅影响了痴呆症的文化形象,而且影响了痴呆症的临床图景方面取得了重大进展。强调“将痴呆症与灾难联系在一起的流行话语实践的问题后果”(Zeilig 2014b, 88),并将其定义为“一种可怕的疾病和重大公共卫生危机”(Ballenger 2017, 716),在一个即将被日益增长的老年依赖人口的“世界末日人口统计”(Robertson 1990)所淹没的社会中,这些调查以重要的方式促进了痴呆症护理理论的新趋势,即不再强调认知和精神退化,而转向对主体性和人格概念更具体的方法。然而,与这种对具体化的、灾难性的方法的推动相反,流行文化中对痴呆症的一种启示性的比喻性使用不仅持续存在,而且显然正在激增,以至于进入21世纪20年后,痴呆症似乎已经成为“所有社会恐惧的发生地和储存库”(Zeilig 2014b, 89)。因此,尽管迄今为止的调查主要集中在我们唤起痴呆症的隐喻上,但一个次要的研究重点是我们将痴呆症作为隐喻的调用正在形成。调查的范围正在扩大到
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In the Shadow of No Memories? The Role of Dementia in Contemporary Aftermath Writing
The mechanisms of our metaphorical conceptualisation of dementia have been the subject of extensive scrutiny in recent research at the intersection of neuroscience, sociology and pathography studies. Foregrounding the “range of emotionally charged metaphors about dementia” that “pervades the popular imagination” (Zeilig 2014a, 258) in contemporary Western societies – from the media and political discourse to film and literature but also medico-scientific terminology – current work in this area has been aimed at sensitising us to the assumptions informing the cultural narratives we tell ourselves about this complex of disorders that remains empirically and medically beyond our full grasp. Particularly in the contact zone between dementia studies and gerontology, significant advances have been made in exploring how the interrelation between social construction and biomedical condition has coloured not only cultural images but also the clinical picture of dementia. In highlighting “the problematic consequences of popular discursive practices that associate dementia with disaster” (Zeilig 2014b, 88) and frame it “as a dread disease and major public health crisis” (Ballenger 2017, 716) in a society on the brink of being overwhelmed by the “apocalyptic demography” (Robertson 1990) of its growing older dependent population, these investigations are contributing in essential ways to an emerging trend in the theory of dementia care away from an emphasis on cognitive and mental deterioration and towards a more embodied approach to notions of subjectivity and personhood. And yet, running counter to this push for an embodied, decatastrophising approach, an apocalyptically heightened figurative use of dementia in popular culture not only persists but is apparently proliferating to the point where, two decades into the twenty-first century, dementia seems to have come to represent “the locus of and repository for all society’s fears” (Zeilig 2014b, 89). Accordingly, while investigations to date have concentrated primarily on the metaphors through which we evoke dementia, a secondary research focus on our invocation of dementia as metaphor is taking shape. The scope of the enquiry is expanding to take
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