{"title":"市场摊位:欧洲海事博物馆收藏的海上贸易","authors":"G. Gee","doi":"10.14361/9783839450239-007","DOIUrl":null,"url":null,"abstract":"Gabriel Gee is an art historian. His research explores contemporary artistic and cultural negotiations of trans-industrial change. His interests include the development of the art scenes in the former urban industrial bastions in the North of England in the late twentieth century and have brought him into dialogue with artists and contemporary artforms engaging with maritime transformations, as well as the representation of maritime heritage, particularly in Europe. Here he ref lects on the representation of commerce in European maritime museums at the beginning of the twenty-first century. The discussion considers the balance between self and other articulated by European maritime museums, situated at the crossroads of critical debates and the practical legacies of trading histories, as they continue to shape our contemporary global societies.","PeriodicalId":147164,"journal":{"name":"Maritime Poetics","volume":"48 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Market stall: maritime commerce in the collections of European maritime museums\",\"authors\":\"G. Gee\",\"doi\":\"10.14361/9783839450239-007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Gabriel Gee is an art historian. His research explores contemporary artistic and cultural negotiations of trans-industrial change. His interests include the development of the art scenes in the former urban industrial bastions in the North of England in the late twentieth century and have brought him into dialogue with artists and contemporary artforms engaging with maritime transformations, as well as the representation of maritime heritage, particularly in Europe. Here he ref lects on the representation of commerce in European maritime museums at the beginning of the twenty-first century. The discussion considers the balance between self and other articulated by European maritime museums, situated at the crossroads of critical debates and the practical legacies of trading histories, as they continue to shape our contemporary global societies.\",\"PeriodicalId\":147164,\"journal\":{\"name\":\"Maritime Poetics\",\"volume\":\"48 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Maritime Poetics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14361/9783839450239-007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Maritime Poetics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14361/9783839450239-007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Gabriel Gee是一位艺术史学家。他的研究探讨了跨产业变革的当代艺术和文化谈判。他的兴趣包括二十世纪后期英格兰北部前城市工业堡垒的艺术场景的发展,并使他与艺术家和当代艺术形式进行对话,这些艺术形式涉及海洋转型,以及海洋遗产的表现,特别是在欧洲。在这里,他反思了21世纪初欧洲海事博物馆的商业表现。讨论考虑了欧洲海事博物馆所表达的自我与他人之间的平衡,这些博物馆位于关键辩论和贸易历史的实际遗产的十字路口,因为它们继续塑造我们当代的全球社会。
Market stall: maritime commerce in the collections of European maritime museums
Gabriel Gee is an art historian. His research explores contemporary artistic and cultural negotiations of trans-industrial change. His interests include the development of the art scenes in the former urban industrial bastions in the North of England in the late twentieth century and have brought him into dialogue with artists and contemporary artforms engaging with maritime transformations, as well as the representation of maritime heritage, particularly in Europe. Here he ref lects on the representation of commerce in European maritime museums at the beginning of the twenty-first century. The discussion considers the balance between self and other articulated by European maritime museums, situated at the crossroads of critical debates and the practical legacies of trading histories, as they continue to shape our contemporary global societies.