r.b.基塔伊《如果不是,不是》(1976)中的大屠杀碎片

H. Frankel
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摘要

摘要:本文从基塔伊(R. B. Kitaj)的绘画《如果不是,不是》(If Not, Not, 1976)的审美再现问题出发,探讨基塔伊为犹太受害者创造的文化场所。努力描绘难以想象的事物,基塔伊的方法支持意义。他将模糊、不和谐的图像并列,唤起了一个破碎的现代世界,并服务于创伤记忆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Shards of the Shoah in R. B. Kitaj's Painting If Not, Not (1976)
Abstract:This article discusses R. B. Kitaj's painting If Not, Not (1976) with reference to issues of aesthetic representation of the Holocaust, in which Kitaj creates a cultural site for bearing witness for the Jewish victims. Striving to depict the unimaginable, Kitaj's method endorses meaning. Juxtaposing ambiguous, discordant images, he evokes a broken modern world and serves traumatic memory.
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