达西与艾玛:奥斯汀对性别的反讽思考

Karenleigh A. Overmann
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引用次数: 2

摘要

《艾玛》的核心人物和情节主线基本上是《傲慢与偏见》中的人物,从达西的角度重述,角色的性别颠倒(男人变成女人,女人变成男人)。这一异想天开的前因后果解释了为什么爱玛在当代读者看来,作为奥斯丁的女主人公,她是非常现代的:她给自己带来了很多男性特权,这在她那个时代可能会让她显得与众不同。本文研究了理查森、菲尔丁、莎士比亚和福代斯四位作家的作品,以及他们可能影响这种性别颠倒的原因。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Darcy and Emma: Austen's Ironic Meditation on Gender
The central characters and plot lines of Emma are essentially those of Pride and Prejudice, retold from Darcy’s point of view with the genders of the characters reversed (men become women, women men). This whimsical antecedent accounts for why Emma may strike contemporary readers as uncommonly modern for an Austen heroine: She takes a lot of male privilege to herself, something that would have made her anomalous in her own day. The works of four writers and the reasons they likely influenced this gendered topsy-turvy are examined: Richardson, Fielding, Shakespeare, and the Reverend Fordyce.
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