哲学的时间与空间

Hanjo Berressem
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引用次数: 0

摘要

本章首先阐述了德勒兹关于《永恒》和《克罗诺斯》的互补年表。而持续的Aion是发光的时间,闪烁的Chronos是频闪光的时间:波和粒子。然后,本章从时间转向空间,讨论德勒兹的拓扑学。从德勒兹的“变得不可察觉”的概念引入分形空间的概念后,通过莱布尼茨对巴洛克式房屋和暗箱的描绘,描绘了德勒兹将光表面和暗深度的空间二元论转化为分形明暗明暗的发光空间,并展示了德勒兹的发光哲学如何与莱布尼茨的“单元体作为光的点或中心,具有发光的性质”的命题产生共鸣。在解释了“实射影平面”的数学概念之后,本章认为德勒兹从笛卡尔到射影拓扑的思想转变是理解他的哲学的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Philosophical Times and Spaces
In luminist and cinematic registers, the chapter first explicates Deleuze’s complementary chronologics of Aion and Chronos. While durational Aion is the time of luminist glow, flickering Chronos is the time of strobe light: wave and particle. Shifting from time to space, the chapter then addresses Deleuze’s topologics. After introducing the notion of fractal space in terms of Deleuze’s notion of becoming-imperceptible, it delineates, via Leibniz’ images of the baroque house and the camera obscura, Deleuze’s transformation of the spatial dualism of light surface and dark depth into the luminous space of a fractal chiaroscuro, and it shows how Deleuze’s luminous philosophy resonates with Leibniz’ proposition that monads, as points or centres of light, have a luminous nature. After explicating the mathematical concept of the ‘real projective plane,’ the chapter argues that Deleuze’s shift from a Cartesian to a projective topology of thought is fundamental for an understanding of his philosophy.
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