{"title":"图书馆注释:手稿采办","authors":"Albert C. King","doi":"10.14713/JRUL.V55I1.1747","DOIUrl":null,"url":null,"abstract":"The papers of art critic, biographer and novelist Janet Hobhouse (1948-1991) have been added to the Libraries' manuscripts holdings. A native of New York City, Hobhouse was graduated from Oxford University in 1969. She subsequently worked as an editor and also wrote articles on art topics for several magazines. Her first novel, Nellie without Hugo, appeared in 1982 and was hailed as the work of a talented new writer. Her subsequent books Dancingin the Dark (1983) and November {1986) received generally favorable reviews as well. These three novels, set variously in New York and London, explore conflicts between freedom and security in the context of personal relationships. A fourth novel, published posthumously, is the autobiographical Furies, released in 1993. Nonfiction books by Hobhouse include Everybody Who Was Anybody (1975), a biography of Gertrude Stein, and The Bride Stripped Bare: The Artist and the Female Nude in the Twentieth Century (1988). Present in the Hobhouse papers are notes, manuscripts of writings, reviews, correspondence, photographs, appointment books and other documents totaling approximately twelve cubic feet in size. Completing the collection are family photographs and papers of the author's mother, Frances Hobhouse, a New York-based sculptor. Theatrical papers donated by Paul Foster (RC '54) reflect three decades of his activities as a playwright. Foster is a former president of La Mama E.T.C., the off-off-Broadway venue where many of his earlier plays debuted or were staged. The papers received document the full range of Foster's experimental theater output, from his early one-act plays such as \"Hurrah for the Bridge\" and \"Balls,\" through the internationally acclaimed Tom Paine and Elizabeth /. The approximately 21 cubic feet of papers consist of a biographical file, 1964-1989; calendars, 1972-1990; address books, 1969-1984 and undated; correspondence, 1963-1993, including letters exchanged with American and European actors, directors, producers, theatrical agents, publishers, and foundation","PeriodicalId":247763,"journal":{"name":"The Journal of the Rutgers University Libraries","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2012-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Notes from the Library: Manuscripts Acquisitions\",\"authors\":\"Albert C. King\",\"doi\":\"10.14713/JRUL.V55I1.1747\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The papers of art critic, biographer and novelist Janet Hobhouse (1948-1991) have been added to the Libraries' manuscripts holdings. A native of New York City, Hobhouse was graduated from Oxford University in 1969. She subsequently worked as an editor and also wrote articles on art topics for several magazines. Her first novel, Nellie without Hugo, appeared in 1982 and was hailed as the work of a talented new writer. Her subsequent books Dancingin the Dark (1983) and November {1986) received generally favorable reviews as well. These three novels, set variously in New York and London, explore conflicts between freedom and security in the context of personal relationships. A fourth novel, published posthumously, is the autobiographical Furies, released in 1993. Nonfiction books by Hobhouse include Everybody Who Was Anybody (1975), a biography of Gertrude Stein, and The Bride Stripped Bare: The Artist and the Female Nude in the Twentieth Century (1988). Present in the Hobhouse papers are notes, manuscripts of writings, reviews, correspondence, photographs, appointment books and other documents totaling approximately twelve cubic feet in size. Completing the collection are family photographs and papers of the author's mother, Frances Hobhouse, a New York-based sculptor. Theatrical papers donated by Paul Foster (RC '54) reflect three decades of his activities as a playwright. Foster is a former president of La Mama E.T.C., the off-off-Broadway venue where many of his earlier plays debuted or were staged. The papers received document the full range of Foster's experimental theater output, from his early one-act plays such as \\\"Hurrah for the Bridge\\\" and \\\"Balls,\\\" through the internationally acclaimed Tom Paine and Elizabeth /. 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引用次数: 0
摘要
艺术评论家、传记作家和小说家珍妮特·霍布豪斯(Janet Hobhouse, 1948-1991)的论文被添加到图书馆的手稿馆藏中。霍布豪斯是纽约人,1969年毕业于牛津大学。随后,她担任编辑,并为几家杂志撰写艺术主题的文章。她的第一部小说《没有雨果的内莉》于1982年问世,被誉为才华横溢的新作家的作品。她后来的作品《黑暗中舞蹈》(1983)和《十一月》(1986)也获得了普遍好评。这三部小说分别以纽约和伦敦为背景,探讨了个人关系背景下自由与安全之间的冲突。他的第四部小说是1993年出版的自传体小说《愤怒》(Furies)。霍布豪斯的非小说类书籍包括格特鲁德·斯坦的传记《任何人都是任何人》(1975)和《脱光衣服的新娘:二十世纪的艺术家和女性裸体》(1988)。在霍布豪斯的文件中有笔记、手稿、评论、信件、照片、约会簿和其他文件,总计约有12立方英尺。完整的收藏还有作者母亲弗朗西丝·霍布豪斯(Frances Hobhouse)的家庭照片和文件。霍布豪斯是纽约的雕塑家。由保罗·福斯特(RC '54)捐赠的戏剧论文反映了三十年来他作为剧作家的活动。福斯特是La Mama E.T.C的前任总裁,这是一个百老汇内外剧院,他的许多早期戏剧都是在这里首次亮相或上演的。这些文件收到了福斯特实验戏剧作品的全部文件,从他早期的独幕戏剧,如“为桥欢呼”和“舞会”,到国际知名的汤姆·潘恩和伊丽莎白/。大约21立方英尺的文件包括1964年至1989年的传记档案;日历,1972 - 1990;1969-1984年未注明日期的地址簿;1963年至1993年的通信,包括与美国和欧洲演员、导演、制片人、戏剧经纪人、出版商和基金会的通信
The papers of art critic, biographer and novelist Janet Hobhouse (1948-1991) have been added to the Libraries' manuscripts holdings. A native of New York City, Hobhouse was graduated from Oxford University in 1969. She subsequently worked as an editor and also wrote articles on art topics for several magazines. Her first novel, Nellie without Hugo, appeared in 1982 and was hailed as the work of a talented new writer. Her subsequent books Dancingin the Dark (1983) and November {1986) received generally favorable reviews as well. These three novels, set variously in New York and London, explore conflicts between freedom and security in the context of personal relationships. A fourth novel, published posthumously, is the autobiographical Furies, released in 1993. Nonfiction books by Hobhouse include Everybody Who Was Anybody (1975), a biography of Gertrude Stein, and The Bride Stripped Bare: The Artist and the Female Nude in the Twentieth Century (1988). Present in the Hobhouse papers are notes, manuscripts of writings, reviews, correspondence, photographs, appointment books and other documents totaling approximately twelve cubic feet in size. Completing the collection are family photographs and papers of the author's mother, Frances Hobhouse, a New York-based sculptor. Theatrical papers donated by Paul Foster (RC '54) reflect three decades of his activities as a playwright. Foster is a former president of La Mama E.T.C., the off-off-Broadway venue where many of his earlier plays debuted or were staged. The papers received document the full range of Foster's experimental theater output, from his early one-act plays such as "Hurrah for the Bridge" and "Balls," through the internationally acclaimed Tom Paine and Elizabeth /. The approximately 21 cubic feet of papers consist of a biographical file, 1964-1989; calendars, 1972-1990; address books, 1969-1984 and undated; correspondence, 1963-1993, including letters exchanged with American and European actors, directors, producers, theatrical agents, publishers, and foundation