莎士比亚《暴风雨》中虚幻与现实的对比

Nasser Albaqawi
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摘要

在威廉·莎士比亚的最后一部戏剧《暴风雨》中,他以一种令人信服的方式描绘了许多富有创造力的作家所共有的重要思想之一。在整部戏剧中,他运用了大量的文学手段和技巧,将幻觉与现实进行对比,以帮助观众娱乐,同时为观众和读者提供多种解释。其中之一就是他能够以不熟悉的方式呈现熟悉的想法,这与现代奇幻书籍和电影中融合了魔幻现实主义的手法非常相似。本文将基于维克多·什克洛夫斯基的陌生化概念(Ostranenie),试图揭示其中一些可能的解释,这些解释基本上与人类和他们所生活的世界有关。在这个世界上,人类的生活过去是、现在是、并将继续是一个价值冲突的舞台,如和平与冲突、爱与恨、正义与非正义、道德与不道德、宁静与风暴等。因此,诗人的作品表明,在地球上实现天堂或乌托邦是一种幻想,我们不断诉诸于逃避现实的严酷;另一方面,陷入无法解决的痛苦深渊同样是一种幻觉,如果人们准备好面对现实,这种幻觉是可以克服的。它还旨在展示现实与幻想就像人类的幸福与绝望一样交织在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Contrasting Illusion with Reality in Shakespeare's The Tempest
In The Tempest, his final play, William Shakespeare is able to depict one of the significant ideas shared by many creative writers in a convincing manner. Contrasting illusion with reality throughout the play, he resorts to a number of literary devices and techniques that help entertain the audience while, at the same time, providing viewers and readers with multiple interpretations. One such device is his capacity to render familiar ideas in unfamiliar ways greatly similar to what is presented in modern day fantasy books and movies that are blended with magic realism. Based on Victor Shklovsky’s concept of defamiliarization (Ostranenie), this article will attempt to shed light on some of these possible interpretations which are basically related to humans and the world they live in. A world where human life was, is, and will remain an arena of conflicting values such as peace and conflict, love and hatred, justice and injustice, morality and immorality, tranquility and tempests, etc. Accordingly, the bard’s work demonstrates that achieving paradise or utopia on earth is an illusion to which we constantly resort to avoid dealing with the harshness of reality; on the other hand sinking in an abyss of unresolvable misery is similarly an illusion which can be overcome if people are ready to face reality. It will also purport to show that reality and illusion are just as intertwined as human happiness and despair.
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