女性与散文诗

P. Hetherington, C. Atherton
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摘要

这一章着重介绍了英语女性散文诗的传统。它探讨了女性散文诗可能是什么——不仅在内容和方法方面,而且在技巧和重点方面。本章从霍莉·伊格莱西亚斯的开创性作品《盒子里的拳击:女性散文诗》(2004)开始,这是迄今为止对女性散文诗最全面的研究。伊格莱西亚斯主张女性散文诗诗人的解放,用散文诗的盒子来隐喻她们的禁锢。Iglesias的书以Carolyn forch著名而令人不安的关于男性权力和残暴的散文诗《上校》(The Colonel)开始,以C. D. Wright的混合散文诗结尾,通过给予女性散文诗诗人空间和突出地位来颂扬她们。最终,许多女性散文诗诗人被忽视的现象并没有发生,因为女性不写散文诗;只是很多女性写的散文诗不符合流行的评论界对成功散文诗的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Women and Prose Poetry
This chapter highlights the tradition of English-language prose poetry by women. It explores what women's prose poetries may be — not only in terms of content and approach but in terms of technique and emphasis. The chapter begins by looking at Holly Iglesias's seminal text, Boxing Inside the Box: Women's Prose Poetry (2004), which is the most comprehensive study of women's prose poetry to date. Iglesias advocates for the liberation of women prose poets, using the prose poem box as a metaphor for their containment. Beginning with Carolyn Forché's famous and disturbing prose poem about male power and brutality, “The Colonel,” and ending with C. D. Wright's hybrid prose poem essay, Iglesias's book celebrates women prose poets by giving them space and prominence. Ultimately, the neglect of many women prose poets did not occur because women were not writing prose poems; it is just that many women were not writing the kinds of prose poems that fit the prevalent critical view of what successful prose poems might look like.
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