主体意识的觉醒:从电视剧《一切都好》看中国年轻女性表现的三种主要不同类型

Yaoyao Cheng
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引用次数: 1

摘要

女性在电视剧中的表现并不仅仅是一些虚构的人物来娱乐观众,而是社会对女性的想象和期望的体现,因为身体是一个复杂的、有意义的、具体的领域,直接参与到传播中。因此,为了找出女性的自我认知与她们的表现之间的联系。以电视剧《一切都好》为背景,本文的目的是通过将其缩小到几个更具体的问题来回答这个大问题:《一切都好》中如何塑造中国年轻女性;她们代表哪些女性群体?通过对比电视剧中的三个主要形象:苏明玉、吴非、朱丽,这些女性的异同是什么?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Awakening of subject consciousness: the analysis of three young main different types of Chinese female representations based on TV series “All is well”
The representations of female in TV series are not just some fictional figures which aim to entertain the audiences, but the embodiments of social imagination and expectation for woman as well, since body is a complex, meaningful and concrete field that involves in the communication directly. So, in order to find out the connection between female’s self-recognition and the representation of them. Base on TV series ‘All is well’, the purpose of this paper is to answer this big question by narrowing it down to several more specific questions: How are Chinese young woman portrayed in ‘All is well’; Which female groups do they stand for; What are the differences and similarities between these females by comparing 3 main images: Mingyu Su, Fei Wu, Li Zhu from the TV series.
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