作为歌剧的电影:静物与短暂相遇的三个视角

M. Halliwell
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引用次数: 0

摘要

哈利威尔,M.,米勒,D.(2014)。《埃及之梦》第17页。在孤独的尼罗河边。在狮身人面像庄严的阴影下。石榴是你的嘴。我羡慕每一个圈子。我醒来时,月亮;沙漠之星:22。沙漠之星你是最可爱的。稻子被水淹了。命运;大马士革的桃金娘:26。大马士革的桃金娘干旱之后28。夜幕降临。我不知道30。跋。关于艾米·伍德福德-芬登:东方歌曲循环,伦敦,英国:托卡塔经典。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Film as Opera: Three Perspectives on Still Life and Brief Encounter
Halliwell, M., Miller, D. (2014). A Dream of Egypt: 17. Beside the lonely Nile 18. Within the Sphinx's solemn shade 19. Pomegranate is your mouth 20. I envy every circlet 25. I wakened when the moon; Stars of the Desert: 22. Stars of the Desert 23. You are all that is lovely 24. The rice was under water 25. Fate; The Myrtles of Damascus: 26. The Myrtles of Damascus 27. After Drought 28. At Nightfall 29. I did not know 30. L'envoi. On Amy Woodforde-Finden: The Oriental Song-Cycles, London, United Kingdom: Toccata Classics.
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