马尔库塞:美学与现代性逻辑

Epoch Pub Date : 2010-10-01 DOI:10.5840/EPOCHE201014210
G. Rae
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引用次数: 1

摘要

赫伯特·马尔库塞是一位思想家,他对现代性提出了最激进、最全面的批评。马尔库塞认为,当代资本主义社会是一个单向度的监狱,它能够通过将任何批评纳入其逻辑而使自己永久化。尽管如此,马尔库塞坚持认为,美学领域能够摆脱现代资本主义的逻辑,并建立一个基于另一种非压迫性逻辑的替代社会。然而,有人认为,马尔库塞不仅将这种转变建立在一种特定的经济形态上,从而确保是经济而不是美学为这种社会转型奠定了基础,而且他的论点是基于对作为影响个人转型手段的美学与影响社会转型的美学之间关系的简单理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Marcuse, Aesthetics, and the Logic of Modernity
Herbert Marcuse is a thinker associated with one of the most radical and totalising critiques of modernity ever produced. Marcuse maintains that contemporary capitalist society is a one-dimensional prison that is capable of perpetuating itself by incorporating any criticism into its logic. Despite this totalisation, Marcuse insists that the realm of aesthetics is capable of escaping the logic of modern capitalism and establishing an alternative society that is grounded in an alternative non-repressive logic. However, it is argued that not only does Marcuse ground this transformation in a specific economic formation thereby ensuring that it is economics not aesthetics that grounds this social transformation, but his argument is based on a simplistic understanding of the relation between the aesthetic as a means of affecting individual transformation and the aesthetic affecting social transformation.
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