经济治国和经济进步

Benjamin Dew
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引用次数: 0

摘要

18世纪中期出现了一种新的、开明的历史研究方法。支撑这种写作模式的假设是,现代欧洲取得的进步水平使其与以往任何历史时期都有所不同在某种程度上,当前的新特性是用政治术语来构想的。特别是在英格兰,有人支持托利党/辉格党法院的观点,即这个国家备受赞誉的自由并非起源于撒克逊人或普萨克森人的历史,而是源于17世纪动荡事件所产生的宪法和文化转变。同样,人们越来越相信,在过去的一百年里,一系列的智力和文化领域——其中包括技术、制造业、艺术和科学,也许最重要的是,礼仪——已经发生了变化,而且在某种意义上,这些发展是相互联系的将如此多样化的题材纳入传统的叙述构成了相当大的挑战,一些作家,最著名的是苏格兰猜想历史学家,完全放弃了按时间顺序排列的方法然而,正如菲利普·希克斯(Philip Hicks)对这一主题的描述所表明的那样,新古典主义观念继续塑造着英国作家和读者看待历史的方式因此,人们渴望提供一种描述,这种描述符合对历史的传统理解,即“对真实、伟大和公共事物的持续叙述”,但它能够解释和叙述最近改变了欧洲民族国家的变化这些观点在两个重要方面改变了英国叙事历史的重点。一方面,他们扩大了游戏题材的主题范围。虽然
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Economic statecraft and economic progress
The middle years of the eighteenth century saw the emergence of a new, enlightened approach to history. Underpinning this mode of writing was the assumption that the level of progress achieved in modern-day Europe distinguished it from any previous historical period.1 To an extent, the novel qualities of the present were conceived of in political terms. With regard to England in particular, there was support for the Tory/Court Whig argument that the nation’s much-celebrated liberty had its origins not in Saxon or preSaxon history, but rather in the constitutional and cultural shifts produced by the tumultuous events of the seventeenth century. Equally, there was a growing belief that a range of intellectual and cultural fields – among them technology, manufacture, the arts and sciences, and, perhaps most importantly, manners – had been transformed over the past hundred years and that, in some sense, these developments were interconnected.2 Incorporating such diverse subject matter into a conventional narrative posed considerable challenges, and some writers, most famously the Scottish conjectural historians, dispensed with the chronological approach altogether.3 Neoclassical conceptions, however, as Philip Hicks’s account of the subject has shown, continued to shape the ways in which British writers and readers viewed history.4 Consequently, there was a desire to provide an account that conformed to the conventional understanding of history as ‘a continued Narration of things True, Great and Publick’, but that was able to explain and narrate the recent shifts which had transformed Europe’s nation states.5 Such ideas served to alter the emphasis of English narrative history in two important ways. On the one hand, they expanded the genre’s thematic range. And although
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