{"title":"我们快到了吗?","authors":"Mar Diestro-Dópido","doi":"10.2307/j.ctvb1hrn9.17","DOIUrl":null,"url":null,"abstract":"Set largely in the back of a car during a tense family roadtrip, Thursday till Sunday is a striking debut for Dominga Sotomayor, and further evidence of the growing diversity of Chilean cinema","PeriodicalId":144930,"journal":{"name":"The economics of arrival","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2005-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Are we nearly there yet?\",\"authors\":\"Mar Diestro-Dópido\",\"doi\":\"10.2307/j.ctvb1hrn9.17\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Set largely in the back of a car during a tense family roadtrip, Thursday till Sunday is a striking debut for Dominga Sotomayor, and further evidence of the growing diversity of Chilean cinema\",\"PeriodicalId\":144930,\"journal\":{\"name\":\"The economics of arrival\",\"volume\":\"12 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2005-10-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The economics of arrival\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctvb1hrn9.17\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The economics of arrival","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvb1hrn9.17","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Set largely in the back of a car during a tense family roadtrip, Thursday till Sunday is a striking debut for Dominga Sotomayor, and further evidence of the growing diversity of Chilean cinema
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