舞台技术:1891年美因河畔法兰克福国际电工展览会

Christina Vollmert
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引用次数: 2

摘要

1891年在美因河畔法兰克福举行的国际电工展览会展示了来自世界各地的各种技术发明和进步。受大型世界博览会的启发,组织者将展览和技术发明与戏剧娱乐相结合,进行了壮观的安排。这篇文章将把重点放在一个名为“Tatzelwurm”的水景观的具体表演方面,这是一个奇幻的环境,灵感来自德国小说家约瑟夫·冯·舍费尔的一首诗“Zum feurigen Tatzelwurm”,这首诗是献给巴伐利亚瀑布上的一家酒馆的。为了在电工展览的背景下描绘蒸汽机的力量,这个酒馆建在一个电动瀑布上方的人造岩石上。除了19世纪的新发明和戏剧性之间的相互作用外,本文还着重讨论了这一景观的生态学。实际上,这次展览的建造成本比它所获得的游客收入还要高。我将使用Alfons Paquet的Schauwert(审美经验的价值)概念和Joseph Pine/James Gilmore的体验经济概念来说明戏剧环境在美学方面产生了自己的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Staging Technology: The International Electrotechnical Exhibition in Frankfurt am Main, 1891
The 1891 International Electrotechnical Exhibition in Frankfurt am Main displayed a wide range of technological inventions and advancements from around the world. Inspired by the big world fairs, organisers staged spectacular arrangements of exhibits and technological inventions combined with theatrical entertainment. This article will take as its focus a specific performative aspect of a water spectacle, called ‘Tatzelwurm’ – a fantastical environment inspired by the poem ‘Zum feurigen Tatzelwurm’ by German novelist Joseph von Scheffel, which was dedicated to a Bavarian tavern on top of a waterfall. Repurposed to depict the power of steam engines within the context of the Electrotechnical Exhibition, this tavern was built on an artificial rock above an electrically powered waterfall. Besides the interplay between new inventions and theatricality in the nineteenth century, the article focuses on the ecology of this scenery. The exhibition actually cost more money to build than it ever earned back in visitor revenue. Using Alfons Paquet's concept of Schauwert (value of aesthetic experience) and Joseph Pine/James Gilmore's concept of the Experience Economy I will illustrate that theatrical environments produce their own value on aesthetic terms.
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