Yuhri Inang Prihatina, Guntur Guntur, Nanang Rizali
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引用次数: 0

摘要

这项研究的动机是,作为一种surakarta风格的新娘装饰,金绣存在着所有的局限性,比如缺乏工匠,纱线材料的成本高,以及与其他更发达的装饰技术竞争。本研究的目的是描述在surakarta风格的新娘kebaya金绣的发展。所使用的方法是一种定性的扎根研究模型。通过访谈、观察、文献研究、人工制品研究和文献资料收集数据。数据分析通过数据简化、展示、讨论和结论等交互式方式进行。结果表明,泗水式新娘绣品的发展至少有三个阶段,即材料和技术的发展仍然保持了根据pakem的图案和图案,结合了泗水风格和日惹风格的特点的图案和图案的发展,以及随着图案和图案的发展而发展的kebaya形式。这一发展趋势,不仅可以为绣品在新娘绣品中的发展提供借鉴,也可以为其他形式的绣品振兴提供借鉴。关键词:金绣,泗水式婚纱,开发理念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Pengembangan Sulam Gim Kebaya Pengantin Gaya Surakarta
This research was motivated by the existence of gim embroidery as a Surakarta-style bridal kebaya ornament with all limitations, such as the lack of craftsmen, the high cost of yarn materials, and competition with other ornamental techniques that are more developed. The purpose of this study is to describe the development  of  gim  embroidery  on  Surakarta-style  bridal  kebaya.  The  method  used  is  a  qualitative grounded research model. Data were collected through interviews, observations, literature studies, artifact studies, and documentation. Data analysis is conducted interactively through data reduction, presentation, discussion, and conclusions. The results showed that the development of Surakarta-style bridal kebaya gim embroidery had at least three groups, namely the development of materials and techniques that still maintain motifs and patterns according to pakem, the development of motifs and designs that combine the characteristics of Surakarta style and Yogyakarta style, and the development of kebaya forms followed by the development of motifs and patterns. The development that was found can be used as a reference in the development of game embroidery not only in bridal kebayas but also in other forms of revitalization to preserve gim embroidery.Keywords: gim embroidery, Surakarta-style bridal kebaya, development concept.
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