LEWOINGU社会的礼仪:超现实行为和nu减现实之间的仪式

Bernard Subang Hayong
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引用次数: 0

摘要

人类对超验的开放倾向可以被看作是一种基本的倾向。这也是一种需要。我们在许多传统和文化中,包括后现代社会中,都遇到了这样的需要。在Hode Ilu仪式中,东弗洛雷斯(Kabupaten Flores Timur, NTT)的Lewoingu域的人们用超越的现实来表达宇宙现实(人类和他们的世界)的不可分割性。他们把自然当作具有超自然力量的灵媒来体验。这种力量使人们怀着敬畏之心服从,并以艺术表演的形式表现祖先的遗产,表达人们与他人、自然、自己以及与神的关系。这种仪式表演被称为“艺术”,因为它是社区通过仪式的自我表达,强调了一种基本的宇宙和谐,这种和谐既是宗教的(超越的),也是伦理的(此时此地)。当传统在仪式中表达了一种对超验的信仰时,那么人类经验的分享,包括人与超验的关系,与宇宙的关系,与他人的关系,以及与自己的关系,都没有错。此外,在这样的仪式表演中,我们看到了观点的改变,以及人类对自己、他人、自然(及其力量)和神性行为的改变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
RITUS HODE ILU DALAM MASYARAKAT LEWOINGU: ANTARA TINDAKAN SUPERSTISI DAN REALITAS NUMINUS
The human propensity of openness to the transcendent can be seen as a fundamental predisposition. It is also a need. We encounter such a need in numerous traditions and cultures, including in postmodern societies. In the Hode Ilu ritual, the people of the Lewoingu domain of Eastern Flores (Kabupaten Flores Timur, NTT), express the inseparableness of cosmic reality (humans and their world) with transcendent reality. They experience nature as numinus with supernatural power. This power enables people to submit in awe and act out the heritage of the ancestors in an artistic performance expressing people’s relationship with others, nature, oneself, and with the Divine. This ritual performance is called “artistic” because it is a self expression of the community through ritual that emphasises a fundamental cosmic harmony which is both religious (transcendent) and ethical (in the here and now). When the tradition expresses a form of faith in the transcendent in ritual, then the sharing of human experiences, including relationships of people with the Transcendent, with the cosmos, with others, and with oneself, is not wrong. Also, in such ritual performances, we see a change of perspective and a change in human action regarding oneself, others, nature (with its powers), and with the Divine.
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