小说中的浪子牧师

A. Jack
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引用次数: 0

摘要

在j.g.洛克哈特的《亚当·布莱尔》、詹姆斯·罗伯逊的《吉迪恩·麦克的遗嘱》和玛丽莲·罗宾逊的《基列》这三部以牧师生活为主题的小说中,家的意义和从迷失到被发现的过程是与《浪子回头》这个寓言一样的关键主题。在亚当·布莱尔(Adam Blair)的著作中,范式指引着走向被发现的运动;在基列,牧师回到自己的家,回到别人的家,回到上帝的家;在吉迪恩·麦克的作品中,正是迷失的凄凉使这个比喻显得淋漓尽致。寓言和这类不寻常的文学人物之间的联系特别强烈,并阐明了每个人所处的神学背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Prodigal Ministers in Fiction
In three novels focused on the lives of ordained ministers, J. G. Lockhart’s Adam Blair, James Robertson’s The Testament of Gideon Mack, and Marilynne Robinson’s Gilead, the meaning of home and the movement from being lost to being found are key themes shared with the parable of the Prodigal Son. In Adam Blair, the paradigm informs the movement towards being found; in Gilead, the minister comes home to himself, to others, and to God; in Gideon Mack, it is the bleakness of being lost which the parable brings into sharp relief. The connection between the parable and this unusual category of literary figures is particularly strong and illuminates the theological context out of which each is drawn.
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