权力,暴力和约翰·福特的《枪杀自由的人:阿伦特的方法》中的建国悖论

Russell L. Dees
{"title":"权力,暴力和约翰·福特的《枪杀自由的人:阿伦特的方法》中的建国悖论","authors":"Russell L. Dees","doi":"10.7146/nnjlsr.v0i6.111052","DOIUrl":null,"url":null,"abstract":"John Ford’s The Man Who Shot Liberty Valance is widely regarded as one of his best and darkest films and as a deep meditation on the American foundation myth. This article examines issues raised by John Ford’s film through distinctions Hannah Arendt developed between ‘power’ and ‘violence’ in her 1969 essay “On Violence” and through her analysis of foundation myths in her 1963 book On Revolution and places them in a broader context of political philosophy. Through this conceptual apparatus, we may gain new insight into the way John Ford’s film grapples with issues of law and politics. Moreover, the film provides concrete illustrations of some of the more abstract concepts in Hannah Arendt’s writings.","PeriodicalId":130064,"journal":{"name":"NAVEIÑ REET: Nordic Journal of Law and Social Research","volume":"83 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Power, Violence, and the Paradox of Founding in John Ford’s The Man Who Shot Liberty Valance: An Arendtian Approach\",\"authors\":\"Russell L. Dees\",\"doi\":\"10.7146/nnjlsr.v0i6.111052\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"John Ford’s The Man Who Shot Liberty Valance is widely regarded as one of his best and darkest films and as a deep meditation on the American foundation myth. This article examines issues raised by John Ford’s film through distinctions Hannah Arendt developed between ‘power’ and ‘violence’ in her 1969 essay “On Violence” and through her analysis of foundation myths in her 1963 book On Revolution and places them in a broader context of political philosophy. Through this conceptual apparatus, we may gain new insight into the way John Ford’s film grapples with issues of law and politics. Moreover, the film provides concrete illustrations of some of the more abstract concepts in Hannah Arendt’s writings.\",\"PeriodicalId\":130064,\"journal\":{\"name\":\"NAVEIÑ REET: Nordic Journal of Law and Social Research\",\"volume\":\"83 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NAVEIÑ REET: Nordic Journal of Law and Social Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7146/nnjlsr.v0i6.111052\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NAVEIÑ REET: Nordic Journal of Law and Social Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7146/nnjlsr.v0i6.111052","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

约翰·福特的《枪杀自由·瓦朗斯的人》被广泛认为是他最好、最黑暗的电影之一,也是对美国建国神话的深刻思考。本文通过汉娜·阿伦特在1969年的文章《论暴力》中对“权力”和“暴力”的区分,以及她在1963年的著作《论革命》中对基础神话的分析,探讨了约翰·福特电影中提出的问题,并将它们置于更广泛的政治哲学背景下。通过这个概念装置,我们可以对约翰·福特的电影如何处理法律和政治问题获得新的见解。此外,这部电影为汉娜·阿伦特作品中一些更抽象的概念提供了具体的例证。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Power, Violence, and the Paradox of Founding in John Ford’s The Man Who Shot Liberty Valance: An Arendtian Approach
John Ford’s The Man Who Shot Liberty Valance is widely regarded as one of his best and darkest films and as a deep meditation on the American foundation myth. This article examines issues raised by John Ford’s film through distinctions Hannah Arendt developed between ‘power’ and ‘violence’ in her 1969 essay “On Violence” and through her analysis of foundation myths in her 1963 book On Revolution and places them in a broader context of political philosophy. Through this conceptual apparatus, we may gain new insight into the way John Ford’s film grapples with issues of law and politics. Moreover, the film provides concrete illustrations of some of the more abstract concepts in Hannah Arendt’s writings.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信