增强现实技术与艺术:演化概念模型的分析与可视化

Vladimir Geroimenko
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引用次数: 74

摘要

本文提供了增强现实(AR)不断发展的概念的逻辑和方法论重建,以及由这种新兴技术引起的艺术范式转变。它首先分析了增强现实的概念,从而构建了一个概念模型和一个定义,这些模型和定义一起捕捉了当前AR应用程序的本质。接下来是对增强现实主要类型的详细概念分析,有助于理解当前的概念。最后,将由此产生的概念模型应用于新兴的增强现实艺术领域,以评估增强现实作为一种新的艺术媒介的典范潜力。本文强调了分析的概念框架的有效和充分的可视化,以促进对增强现实和AR艺术概念背后的逻辑结构的更好理解。本文拟在增强现实可视化与艺术第一届国际研讨会开幕式上发表,该研讨会由作者提议并主持,是第16届信息可视化国际会议的一部分,IV2012。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Augmented Reality Technology and Art: The Analysis and Visualization of Evolving Conceptual Models
This paper provides a logical and methodological reconstruction of the evolving concept of Augmented Reality (AR) and also of the paradigmatic shift in art, caused by this emerging technology. It starts with an analysis of the notion of Augmented Reality, that leads to the construction of a conceptual model and a definition which together capture the nature of present AR applications. This is followed by a detailed conceptual analysis of major types of Augmented Reality that contribute to an understanding of current concepts. Finally, the resulting conceptual models are applied to the newly emerging field of Augmented Reality Art in order to assess the paradigmatic potential of AR as a new artistic medium. The paper puts a strong emphasis on the effective and adequate visualisation of the analysed conceptual frameworks, in order to promote a better comprehension of the logical structures underlying the notions of Augmented Reality and AR Art. This paper was intended to be presented at the opening of the First International Symposium on Augmented Reality Visualisation and Art, proposed and chaired by the author as part of the 16th International Conference on Information Visualization, IV2012.
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