{"title":"回顾旅程","authors":"J. Nectoux","doi":"10.1017/9781108692267.001","DOIUrl":null,"url":null,"abstract":"Let us begin by considering how Gabriel Fauré (1845–1924) made a way for himself in France between about 1855 and 1909. As for the posthumous international development of research into his music, that will be the focus of the latter part of this text. Fauré’s long life gives one pause. One might describe it as a slow but constant and courageous ascent. Really, nothing destined this boy from Ariège, deep in the south of France, to become one of the glorious figures of the French Republic – the Republic that would one day confer on this modest man the extraordinary honor of a national funeral, like that of Victor Hugo. We remark that since he was intended from childhood to become a church musician, he did not follow the educational path taken by the majority of French musicians and attend the Paris Conservatory, an institution founded by the National Convention in 1795. He was only nine years old when he was enrolled instead in the excellent École de musique classique et religieuse that had just been founded by Louis Niedermeyer, and he would study there from 1854 to 1865. At the École, a capital encounter took place: he met Camille Saint-Saëns, his teacher and soon his friend, who took over piano instruction after Niedermeyer’s death in 1861. Fauré’s beginnings as an organist were rather modest. He languished in the loft of the Church of Saint-Sauveur in Rennes (1865–69); on returning to Paris, he became organist at Notre-Dame de Clignancourt (1870) and then at the swank parish of Saint-Honoré-d’Eylau (1871). After the war he played the choir organ at Saint-Sulpice, a post he passed along to his friend André Messager when he had to replace Saint-Saëns at La Madeleine during the older composer’s tours. His professional life stabilized in 1877 when he became choirmaster of the same church, a post that put him in the public eye. 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引用次数: 0
摘要
让我们先来看看加布里埃尔·福尔(1845-1924)是如何在1855年至1909年间在法国闯出一条路来的。至于他死后国际上对他音乐的研究发展,将是本文后半部分的重点。fauur的长寿让人踌躇。有人可能会把它描述为缓慢但持续而勇敢的上升。说实在的,没有什么能使这个来自法国南部腹地阿里阿涅日的男孩成为法兰西共和国的光辉人物之一——法兰西共和国有一天会授予这个谦虚的人象维克多·雨果那样的国家葬礼的非凡荣誉。我们注意到,由于他从小就想成为一名教会音乐家,所以他没有像大多数法国音乐家那样接受教育,而是进入了1795年国民公会创建的巴黎音乐学院。当他9岁的时候,他被路易斯·尼德迈耶刚刚创办的优秀的École古典音乐和宗教学校录取,他将在那里学习从1854年到1865年。在École,一次重要的相遇发生了:他遇到了卡米尔Saint-Saëns,他的老师,很快成为他的朋友,在尼德迈耶1861年去世后,卡米尔接管了钢琴教学。福尔纳作为一名管风琴师的开始相当谦逊。他在雷恩圣索维尔教堂的阁楼里苦闷(1865-69);回到巴黎后,他先后在巴黎圣母院(Notre-Dame de Clignancourt)(1870年)和时髦的圣奥诺瑞姆-德-埃劳教区(1871年)担任管风琴师。战争结束后,他在圣叙尔皮斯教堂的唱诗班演奏管风琴,他把这个职位交给了他的朋友安德烈·梅塞格尔,因为他在老作曲家的巡回演出中不得不代替Saint-Saëns。他的职业生涯在1877年稳定下来,当时他成为同一教堂的唱诗班指挥,这一职位使他进入了公众视野。Saint-Saëns当时是拉玛德琳的首席管风琴手,这是一个更重要的职位,1896年他把这个职位让给了他以前的学生。他去世时已经五十多岁了
Let us begin by considering how Gabriel Fauré (1845–1924) made a way for himself in France between about 1855 and 1909. As for the posthumous international development of research into his music, that will be the focus of the latter part of this text. Fauré’s long life gives one pause. One might describe it as a slow but constant and courageous ascent. Really, nothing destined this boy from Ariège, deep in the south of France, to become one of the glorious figures of the French Republic – the Republic that would one day confer on this modest man the extraordinary honor of a national funeral, like that of Victor Hugo. We remark that since he was intended from childhood to become a church musician, he did not follow the educational path taken by the majority of French musicians and attend the Paris Conservatory, an institution founded by the National Convention in 1795. He was only nine years old when he was enrolled instead in the excellent École de musique classique et religieuse that had just been founded by Louis Niedermeyer, and he would study there from 1854 to 1865. At the École, a capital encounter took place: he met Camille Saint-Saëns, his teacher and soon his friend, who took over piano instruction after Niedermeyer’s death in 1861. Fauré’s beginnings as an organist were rather modest. He languished in the loft of the Church of Saint-Sauveur in Rennes (1865–69); on returning to Paris, he became organist at Notre-Dame de Clignancourt (1870) and then at the swank parish of Saint-Honoré-d’Eylau (1871). After the war he played the choir organ at Saint-Sulpice, a post he passed along to his friend André Messager when he had to replace Saint-Saëns at La Madeleine during the older composer’s tours. His professional life stabilized in 1877 when he became choirmaster of the same church, a post that put him in the public eye. Saint-Saëns was then principal organist at La Madeleine, an even more prominent position, which he yielded to his former student in 1896. Fauré was more than fifty years old when he