哥特式黑色电影中的男性凝视:玛格丽特·阿特伍德《冻干的新郎》中的性别刻板印象

Manuela López Ramírez
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引用次数: 0

摘要

刻板印象在艺术表现中,特别是在电影中,在性别范式的建构中起着至关重要的作用。男性和女性通过简化的不切实际的陈词滥调被描绘出来,目的是控制和约束他们成为父权角色和习俗,促进社会规范的意识形态。黑色女性是男性对女性性欲和女性独立的焦虑的投射。在《冻干的新郎》中,阿特伍德通过典型的黑色电影男性视角,在三个固定的角色中揭示了性别刻板印象:女魔头、“侦探”和蛇形美人。因此,阿特伍德塑造了一个蛇蝎美人,不仅反映了黑色电影中的这个角色,还反映了女性身份、性别动态和女权主义。她揭露和质疑婚姻家庭制度,以及整个父权社会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gothic Noir Filmic Male Gaze: Gender Stereotyping in Margaret Atwood’s “The Freeze-Dried Groom”
Stereotyping has been crucial in artistic representations, especially cinema, in the construction of gender paradigms. Males and females have been portrayed by means of simplified unrealistic clichés with the purpose of controlling and constraining them into patriarchal roles and conventions, promoting societal normative ideologies. Noir women are projections of male anxieties about female sexuality and female independence. In “The Freeze-Dried Groom,” Atwood unveils gender stereotyping through a typically film noir male gaze in three of its stock characters: the femme attrapée, the “detective” and the femme fatale. Hence, Atwood depicts a femme fatale to reflect not just on this character in film noir, but also on female identity, gender dynamics and feminism. She exposes and questions the marriage-family institution, and the patriarchal society as a whole.
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