cafe de Pombo的起源(1912-1918):闲聊、社交和“无政府主义情绪”

María Soledad Fernández Utrera
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引用次数: 0

摘要

摘要:到目前为止,所有的评论家都认为la tertulia del cafe de Pombo(1912-1936)是一个文学和前卫的空间,马德里作家试图在这里展示自己,自我推广,获得名声,并在当时的国内和国际文学领域占据一席之地。这篇文章的目的是证明,最初,gomez de la Serna将sabatin的聚会设想为无政府主义社交的空间,作为一个乌托邦的微观世界,在那里实践他的信仰,并从那里影响马德里社会;他的第一部关于咖啡和闲聊的文学作品是《el cafe recondito》(1915)、《la Proclama》(1916)和《Pombo》(1918)。摘要:到目前为止,批评作为一个整体已经考虑了cafe de Pombo(1912-36)的集合,作为一个前卫的文学空间,马德里的作家想要展示和推广自己,获得名声,并在当时的国家和国际文学领域获得立足。The aim of this essay is to证明,initially melena Serna conceived of The Saturday, gomez gatherings as a space of anarchist sociability, as a utopic microcosm in which可以put计划署into practice and, in turn, from which可以exert an影响关于马德里社会;在他关于咖啡和聚会的第一部文学作品中,有一些东西是明确的:El cafe recondito (1915), la Proclama(大约1916)和Pombo(1918)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Los inicios del café de Pombo (1912-1918): tertulia, sociabilidad y 'sentimiento anarquista'
Resumen:Hasta ahora, la totalidad de los críticos ha considerado que la tertulia del café de Pombo (1912-1936) fue un espacio literario y vanguardista desde donde el escritor madrileño buscaba exhibirse, autopromocionarse, ganar fama y hacerse un hueco en el campo literario nacional e internacional de la época. El objetivo de este ensayo es demostrar que, inicialmente, Gómez de la Serna concibió la tertulia sabatina como espacio de sociabilidad anarquista, como un microcosmo utópico, en el que poner en práctica sus creencias e influir desde allí en la sociedad madrileña; así lo ponen de manifiesto sus primeros escritos literarios sobre el café y la tertulia: "El café recóndito" (1915), la Proclama (circa 1916) y Pombo (1918).Abstract:Until now, criticism as a whole has considered the gathering at the café de Pombo (1912-36) as an avant-garde literary space from which the Madrid-based writer sought to showcase and promote himself, earn fame and gain a foothold in the national and international literary field of the time. The aim of this essay is to demonstrate that, initially, Gómez de la Serna conceived of the Saturday gatherings as a space of anarchist sociability, as a utopic microcosm in which he could put his beliefs into practice and, in turn, from which he could exert an influence on madrileño society; something that is made clear in his first literary writings about the café and the gatherings: "El café recóndito" (1915), la Proclama (circa 1916) and Pombo (1918).
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