{"title":"创意艺术，银幕研究，新自由主义，还有舞蹈","authors":"T. Murray","doi":"10.1080/25741136.2022.2158200","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay employs personal biography to illustrate larger questions regarding global transformations in the creative arts and tertiary education sector. With a focus on how neo-liberalism has impacted professional screen practices in Australia and those in the contemporary Academy, this paper also provides two screen-arts case studies to illustrate what poietic research forms can uniquely bring to scholarship.","PeriodicalId":206409,"journal":{"name":"Media Practice and Education","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Creative arts, screen research, neo-liberalism, and a dance\",\"authors\":\"T. Murray\",\"doi\":\"10.1080/25741136.2022.2158200\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This essay employs personal biography to illustrate larger questions regarding global transformations in the creative arts and tertiary education sector. With a focus on how neo-liberalism has impacted professional screen practices in Australia and those in the contemporary Academy, this paper also provides two screen-arts case studies to illustrate what poietic research forms can uniquely bring to scholarship.\",\"PeriodicalId\":206409,\"journal\":{\"name\":\"Media Practice and Education\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Media Practice and Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/25741136.2022.2158200\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media Practice and Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/25741136.2022.2158200","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Creative arts, screen research, neo-liberalism, and a dance
ABSTRACT This essay employs personal biography to illustrate larger questions regarding global transformations in the creative arts and tertiary education sector. With a focus on how neo-liberalism has impacted professional screen practices in Australia and those in the contemporary Academy, this paper also provides two screen-arts case studies to illustrate what poietic research forms can uniquely bring to scholarship.
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