{"title":"俄罗斯帝国音乐学会萨拉托夫分会的形成和发展的历史","authors":"I. Polozova","doi":"10.17674/1997-0854.2018.4.167-172","DOIUrl":null,"url":null,"abstract":"The article is devoted to the functioning of the section of the Imperial Russian Musical Society (IRMS) in the Saratov Gubernia in the second half of the 19th century. On the basis of study of documental materials preserved in the funds of the State Archive of the Saratov Region, as well as the regional literature the history of the formation and development of the art of professional music in Saratov. The author characterizes the general cultural processes typical for the beginning stage of musical education and enlightenment in Russia. Analysis is made of the premises for the development of musical culture in Saratov (the creation of theaters, symphony and chamber orchestras, closed concerts, etc.), which are conditioned by the cultural traditions established in the aristocratic milieu. The traditions of household music-making and the practice of concert performance were actively developed during the period of creation of the Saratov Section of the IRMS. The gubernias witness the formation of the foundations of professional musical education (Musical Classes – the Musical College – the Saratov Conservatory); concert practice acquires a systematic character; the repertoire of performed musical compositions expands and enriches substantially. The significance is shown of the important cultural public figures of the Saratov gubernia actively aiding the establishment of the Saratov Section of the IRMS and, consequently, the development and flourishing of musical culture in the region and in the country, in general (Mikhail Galkin-Vraskoy, Yuri Obolensky, Nikolai Bakhmetev). 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On the basis of study of documental materials preserved in the funds of the State Archive of the Saratov Region, as well as the regional literature the history of the formation and development of the art of professional music in Saratov. The author characterizes the general cultural processes typical for the beginning stage of musical education and enlightenment in Russia. Analysis is made of the premises for the development of musical culture in Saratov (the creation of theaters, symphony and chamber orchestras, closed concerts, etc.), which are conditioned by the cultural traditions established in the aristocratic milieu. The traditions of household music-making and the practice of concert performance were actively developed during the period of creation of the Saratov Section of the IRMS. The gubernias witness the formation of the foundations of professional musical education (Musical Classes – the Musical College – the Saratov Conservatory); concert practice acquires a systematic character; the repertoire of performed musical compositions expands and enriches substantially. The significance is shown of the important cultural public figures of the Saratov gubernia actively aiding the establishment of the Saratov Section of the IRMS and, consequently, the development and flourishing of musical culture in the region and in the country, in general (Mikhail Galkin-Vraskoy, Yuri Obolensky, Nikolai Bakhmetev). 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引用次数: 0
摘要
这篇文章专门讨论了19世纪下半叶俄罗斯帝国音乐协会(IRMS)在萨拉托夫省(Saratov Gubernia)的职能。在研究萨拉托夫地区国家档案馆保存的文献资料以及地区文献的基础上,对萨拉托夫专业音乐艺术的形成和发展历史进行了研究。作者描述了俄罗斯音乐教育启蒙初期典型的一般文化过程。分析了萨拉托夫音乐文化发展的前提(剧院、交响乐团和室内乐团、闭门音乐会等的创建),这些都受到贵族环境中建立的文化传统的制约。家庭音乐制作的传统和音乐会表演的实践在IRMS萨拉托夫分部创建期间得到了积极的发展。两省见证了专业音乐教育基础的形成(音乐班-音乐学院-萨拉托夫音乐学院);音乐会实践具有系统性;演奏的音乐作品的曲目大大扩展和丰富。萨拉托夫省的重要文化公众人物积极帮助建立IRMS萨拉托夫分部,从而促进了该地区和全国音乐文化的发展和繁荣,这表明了其重要性(Mikhail Galkin-Vraskoy, Yuri Obolensky, Nikolai Bakhmetev)。关键词:俄罗斯帝国音乐学会萨拉托夫分会,地方音乐文化,米哈伊尔·加尔金-弗拉斯科伊,尼古拉·巴赫梅耶夫
The History of the Formation and Development of the Saratov Section of the Imperial Russian Musical Society
The article is devoted to the functioning of the section of the Imperial Russian Musical Society (IRMS) in the Saratov Gubernia in the second half of the 19th century. On the basis of study of documental materials preserved in the funds of the State Archive of the Saratov Region, as well as the regional literature the history of the formation and development of the art of professional music in Saratov. The author characterizes the general cultural processes typical for the beginning stage of musical education and enlightenment in Russia. Analysis is made of the premises for the development of musical culture in Saratov (the creation of theaters, symphony and chamber orchestras, closed concerts, etc.), which are conditioned by the cultural traditions established in the aristocratic milieu. The traditions of household music-making and the practice of concert performance were actively developed during the period of creation of the Saratov Section of the IRMS. The gubernias witness the formation of the foundations of professional musical education (Musical Classes – the Musical College – the Saratov Conservatory); concert practice acquires a systematic character; the repertoire of performed musical compositions expands and enriches substantially. The significance is shown of the important cultural public figures of the Saratov gubernia actively aiding the establishment of the Saratov Section of the IRMS and, consequently, the development and flourishing of musical culture in the region and in the country, in general (Mikhail Galkin-Vraskoy, Yuri Obolensky, Nikolai Bakhmetev). Keywords: The Saratov Section of the Imperial Russian Musical Society, provincial musical culture, Mikhail Galkin-Vraskoy, Nikolai Bakhmetev.