《钟形罩》中以埃斯特·格林霍德的自杀折磨为代表的扭曲的福柯式全景主义

Luo Jun, Li Jun
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摘要

尽管评论界对知识女性和非知识女性的本质受害者给予了密切关注她们在难以忍受的生活和经历中被抛来抛去和折磨在对小说《钟罩》(1963)中女性特征的越来越多的解读中,不充分的批判性关注揭示了扭曲的权力机制和权力制度主义隐含在阴暗的社会和文化学科的语境中,这些学科对20世纪50年代美国社会和美国文化中大多数知识分子妇女和非知识分子妇女的行动和思想的专制干扰和干扰是有效的,这一点在这部小说的创作中表现得非常真诚和深刻,非常有价值的充分澄清那些霸权的恶魔般的纪律的执行本质。在西尔维娅·普拉斯生活过的整个社会中,由于这种纪律约束和奴役的意识形态和认识论本质,本文旨在揭示福柯式全景观在权力机制的形成和改革以及权力制度主义对知识女性和非知识女性的迫害中所实施的相当恶意的扭曲,这已经渗透到这部小说的意识形态和认识论脉络中,通过监视,检查,监督这福panopticism有很好的访问自杀悲剧和悲剧的真正原因的创伤以斯帖Greenhood一直陷入致命威胁的权力机制和权力制度主义目睹了思想认识论昏迷和杀菌的知识女性和非智力的女性努力是徒劳的,当他们的整个生活和很多已经被恶魔支配者或是当时美国社会和美国文化的统治者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unravelling the Distorted Foucauldian Panopticism Epitomized in the Suicidal Tortures of Esther Greenhood in The Bell Jar
Notwithstanding close critical attention has been paid to the essential victimization of the intellectual women and non-intellectual women who have been tossed and tortured in their unbearable lives and experiences in the increasing interpretation of the female characterization of this novel The Bell Jar (1963), inadequate critical concern has been shown to reveal the distorted power mechanism and power institutionalism implied in the contextualization of the gloomy social and cultural disciplines effective in the despotic disturbance and interference of the actions and thoughts of most intellectual women and non-intellectual women in 1950s in American society and American culture as indicated in the very ingenuous and insightful production of this novel extremely valuable for the adequate clarification of the executive essence of those hegemonic and demonic disciplines. For the sake of the ideological and epistemological essence of this disciplinary confinement and enslavement engendered in the vicious and malicious disciplines implemented in the entire society where Sylvia Plath has lived, this paper aims to uncover the quite malicious distortion of Foucauldian panopticism implemented in the formation and reformation of the power mechanism and power institutionalism implemented to persecute intellectual women and non-intellectual women as what has been insinuated into the ideological and epistemological veins of this novel according to the surveillance, inspection, and, supervision of this Foucauldian panopticism to have a good access to the true reasons of the suicidal tragedies and tragic traumas of Esther Greenhood who has been caught in the fatal threat of this power mechanism and power institutionalism witnessed in the ideological and epistemological stupefaction and sterilization of those intellectual women and non-intellectual women whose efforts have turned out to be futile when their entire lives and lots have been captured by the demonic dominator or governor of American society and American culture at that time.
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