变革剧场:活得好最后一幕

D. Sheets, D. Kaback
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引用次数: 1

摘要

《灶神Vesta》是一部关于死亡和临终的独幕剧,被用作教育工具和工具,吸引大学生,并就临终问题展开公众对话。本文讨论了该项目的教学方法(即服务学习,被压迫的戏剧),通过体验式学习作为“现实排练”的创作过程,以及艺术在改变对生命终结选择的看法方面的变革性影响。《灶神Vesta》讲述的是一位老年妇女在放弃个人自主权的同时,为维护尊严、与医疗机构打交道以及应对难以放手的家庭而进行的斗争。“灶神星”为关于死亡和临终这一棘手话题的代际学习和公众对话提供了一个独特的背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transformative Theatre: The Final Act of Living Well
“Vesta” is a one-act play about death and dying that was used as an educational tool and vehicle for engaging university students and creating public dialogue about end-of-life issues. This article discusses the pedagogical approaches (i.e., service learning, theatre of the oppressed) for the project, the creative process as a “rehearsal for reality” through experiential learning, and the transformative impact of the arts in changing perceptions of end-of-life choices. “Vesta” is about the struggles of an older woman to maintain dignity while surrendering personal autonomy, dealing with the medical establishment, and coping with a family finding it hard to let go. “Vesta” provides a unique context for intergenerational learning and public dialogue on the difficult topic of death and dying.
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