{"title":"缝合的故事","authors":"Ramolen Laruan","doi":"10.5206/tba.v2i1.10722","DOIUrl":null,"url":null,"abstract":"Meanings, practices, and memories are re-inscribed in the diaspora, wherein new forms are re-imagined in the transnational exchange between the land of origin and new host country. \nIn these works, fragments of my homeland (Philippines) penetrate through ordinary materials and force a disruption in acts of noticing and, thus, in how we might understand the positions of unfamiliar details within the larger work.","PeriodicalId":433224,"journal":{"name":"tba: Journal of Art, Media, and Visual Culture","volume":"43 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sutured Stories\",\"authors\":\"Ramolen Laruan\",\"doi\":\"10.5206/tba.v2i1.10722\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Meanings, practices, and memories are re-inscribed in the diaspora, wherein new forms are re-imagined in the transnational exchange between the land of origin and new host country. \\nIn these works, fragments of my homeland (Philippines) penetrate through ordinary materials and force a disruption in acts of noticing and, thus, in how we might understand the positions of unfamiliar details within the larger work.\",\"PeriodicalId\":433224,\"journal\":{\"name\":\"tba: Journal of Art, Media, and Visual Culture\",\"volume\":\"43 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"tba: Journal of Art, Media, and Visual Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5206/tba.v2i1.10722\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"tba: Journal of Art, Media, and Visual Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5206/tba.v2i1.10722","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Meanings, practices, and memories are re-inscribed in the diaspora, wherein new forms are re-imagined in the transnational exchange between the land of origin and new host country.
In these works, fragments of my homeland (Philippines) penetrate through ordinary materials and force a disruption in acts of noticing and, thus, in how we might understand the positions of unfamiliar details within the larger work.
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