编舞是如何制作舞蹈的?:为编舞与技术的合作而设计

Marianela Ciolfi Felice, S. Alaoui, W. Mackay
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引用次数: 13

摘要

编舞很少有机会使用专门为支持其创作过程而设计的互动工具。为了设计这样一种技术,我们采访了六位当代编舞家,了解他们的创作实践。我们发现,尽管每个流程都是独特的,但编排者通过将一组操作应用于编排对象来表示他们的想法。在不同的创作阶段,编舞家通过在不同程度的专一性之间转换来创作,并将他们的焦点从舞者到舞台,到互动,再到整个作品。基于我们的发现,我们提出了一个框架来阐明从这些复杂和特殊的过程中出现的更高层次的模式。然后,我们阐明了设计交互式工具以支持编排实践的结果含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
How Do Choreographers Craft Dance?: Designing for a Choreographer-Technology Partnership
Choreographers rarely have access to interactive tools that are designed specifically to support their creative process. In order to design for such a technology, we interviewed six contemporary choreographers about their creative practice. We found that even though each process is unique, choreographers represent their ideas by applying a set of operations onto choreographic objects. Throughout different creative phases, choreographers compose by shifting among various degrees of specificity and vary their focal points from dancers to stage, to interaction, to the whole piece. Based on our findings, we present a framework for articulating the higher-level patterns that emerge from these complex and idiosyncratic processes. We then articulate the resulting implications for the design of interactive tools to support the choreographic practice.
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