纪尧姆·阿波利奈尔书法作品集中的女人与快乐

K@ta Pub Date : 2019-01-03 DOI:10.9744/KATA.20.2.60-67
E. Agustin, W. Udasmoro
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引用次数: 3

摘要

本文试图探讨诗歌与作者所强调的女性和快乐的建构之间的联系。研究对象是法国著名诗人纪尧姆·阿波利奈尔(Guillaume Apollinaire)的作品,他的书法诗集特别将女性定位为享乐的对象。最有趣的是,在阿波利奈尔的诗歌中,通过内涵符号将女性描绘为愉悦的对象,只有通过解码内涵符号中包含的高度文化意义才能赋予其意义。男性凝视理论在这里被用来研究诗人是如何操纵视觉愉悦的。与此同时,符号学被用来解读阿波利奈尔诗歌的书法方面。这项研究发现,阿波利奈尔在他的诗歌中利用异国情调、繁殖和梦幻般的快乐的象征,通过将女性定位为快乐的对象来强调他对女性的统治地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Women and Pleasure in Guillaume Apollinaire’s Calligram Collection Poèmes à Lou
This article attempted to examine the connections between poetry and the constructions of women and pleasure emphasized by the author. The works examined were those of Guillaume Apollinaire, a famous French poet whose calligramatic poetry collections specifically positioned women as objects of pleasure. Most interestingly, in Apollinaire's poetry, the depiction of women as objects of pleasure through connotative symbols that could only be given significance by decoding the highly cultural meanings contained in the connotative symbols. The theory of the male gaze was used here to examine how visual pleasure had been operated by the poet. Meanwhile, semiotics had been used to decode the calligrammatic aspects of Apollinaire's poems. This research found that symbols of exoticism, reproduction, and fantastic pleasures were utilized by Apollinaire in his poetry to emphasize his dominance of women by positioning them as objects of pleasure.
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