{"title":"继续写石头","authors":"Camina Weasel Moccasin","doi":"10.5744/florida/9780813056241.003.0003","DOIUrl":null,"url":null,"abstract":"This chapter explores the concept of contemporary rock-art making as a form of repatriation. According to Blackfoot culture the making of rock art is considered a sacred act that involves communication with the spirit world. Current policies help protect existing, tangible rock art, but at the expense of continuing the intangible heritage of communicating with the spirit world. Writing-on-Stone Provincial Park is in the process of creating a new policy which would allow the making of contemporary rock art in a traditional sense.","PeriodicalId":143039,"journal":{"name":"Archaeologies of Listening","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Continuing Writings on Stone\",\"authors\":\"Camina Weasel Moccasin\",\"doi\":\"10.5744/florida/9780813056241.003.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores the concept of contemporary rock-art making as a form of repatriation. According to Blackfoot culture the making of rock art is considered a sacred act that involves communication with the spirit world. Current policies help protect existing, tangible rock art, but at the expense of continuing the intangible heritage of communicating with the spirit world. Writing-on-Stone Provincial Park is in the process of creating a new policy which would allow the making of contemporary rock art in a traditional sense.\",\"PeriodicalId\":143039,\"journal\":{\"name\":\"Archaeologies of Listening\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Archaeologies of Listening\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5744/florida/9780813056241.003.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archaeologies of Listening","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5744/florida/9780813056241.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter explores the concept of contemporary rock-art making as a form of repatriation. According to Blackfoot culture the making of rock art is considered a sacred act that involves communication with the spirit world. Current policies help protect existing, tangible rock art, but at the expense of continuing the intangible heritage of communicating with the spirit world. Writing-on-Stone Provincial Park is in the process of creating a new policy which would allow the making of contemporary rock art in a traditional sense.
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