用带通滤波器生成萨隆乐器的甘美兰乐谱

Y. Suprapto, E. M. Yuniarno, Kafiyatul Fithri
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引用次数: 2

摘要

甘美兰乐谱通常有许多变化,这取决于写它的艺术家。教爪哇老师佳美兰给他的学生的方式不是按照标准的符号,因为它只是通过口头和依赖于记忆。然后我们需要分析甘美兰音乐记谱的录音,这样它就变成了一个音乐记谱来确定这个记谱是否被演奏过。研究对象包括合成音乐、半合成音乐和原声音乐。研究了用斯连德罗音调来标记萨隆音调的方法。通过在时域显示信号来分析声音数据。通过将信号从时域变换到频域得到萨隆频率。得到的萨隆频率在500hz ~ 1200hz的频率范围内。合成信号中符号形成的结果准确率为100%,半合成的准确率为100%。而Saron和Bonang两种乐器的声学信号形成乐谱的准确率为62.07%,管弦乐的准确率为92%。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gamelan Notation Generating Using Band Pass Filter for Saron Instrument
Gamelan notation generally has many variations depending on the artist who wrote it. The way to teach Javanese teacher gamelan to his students is not according to the standard notation because it is only through oral and dependent on memory. Then we need an analysis of the recording of gamelan music notation so that it becomes a musical notation to determine whether or not the notation has been played.The research was carried out with compositions of synthetic, semi-synthetic and acoustic music. The research was conducted to find saron tone notation with slendro tone. Sound data is analyzed by displaying signals in the time domain. The saron frequency is obtained by transforming the signal from the time domain to the frequency domain. Saron frequency obtained in the frequency range of 500 Hz to 1200 Hz. The results of the formation of notations in synthetic signals have 100% accuracy and semi synthetic at 100%. While the formation of musical notation on the acoustic signal of two instruments Saron and Bonang has an accuracy of 62.07% and accuracy in orchestral music is 92%.
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