实时自适应像素替换

M. Pusateri, J. Scott, Muhammad Umar Mushtaq
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引用次数: 1

摘要

闪烁噪声伪影是模拟和数字传感器增强图像的一部分。高强度闪光类似于经典的“盐”噪声,尽管它们的范围通常是多个像素;在压力条件下使用强化图像时,它们可以证明是非常分散注意力的。在立体强化视觉系统中,伪影出现在左右传感器的不同位置增加了它们的分散能力。数字增强传感器也不能幸免于这个问题;然而,数字图像处理为我们提供了一个缓解这个问题的机会。3×3中值滤波器是“盐”噪声的经典解决方案。然而,闪烁噪声的多像素程度需要将中值邻域提高到5×5才能有效抑制。不幸的是,中位数还引入了低通效果,使图像平滑到不可接受的程度。为了克服这种图像清晰度的损失,我们开发并实现了一种自适应算法,旨在识别闪烁噪声。闪烁像素使用5×5中值替换,而未受影响的像素保持不变。该算法在Xilinx XC6SLX150-3上进行了测试,能够在超过220 MHz的像素时钟下工作。在140 MHz的像素时钟和60 Hz的帧速率下,模块延迟低于26µs。我们讨论了闪烁像素的识别,并将比较原始视频、5×5中值视频和自适应替换的5×5中值的帧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Real-time adaptive pixel replacement
Scintillation noise artifacts are a part of intensified imagery for both analog and digital sensors. The high intensity flashes are similar to classic “salt” noise although they often are multiple pixels in extent; they can prove very distracting when utilizing intensified imagery under stressful conditions. In stereo intensified vision system, the fact that artifacts occur at different locations in the left and right sensor increases their ability to distract. Digital intensified sensors are not immune from this problem; however, digital image processing gives us an opportunity to mitigate the problem. A 3×3 median filter is the classic suggested solution to “salt” noise. However, the multiple pixel extent of scintillation noise requires the median neighborhood to be increased to 5×5 for effective suppression. Unfortunately, median also introduces a low pass effect that smoothes the imagery to an unacceptable degree. To overcome this loss of image clarity, we have developed and implemented an adaptive algorithm that is designed to identify scintillation noise. Scintillated pixels are replaced using the 5×5 median while unaffected pixels are left unchanged. The algorithm was tested on a Xilinx XC6SLX150–3 and is capable of operating at a pixel clock of over 220 MHz. With a pixel clock of 140 MHz and a 60 Hz frame rate, the module latency is under 26 µs. We discuss the identification of scintillated pixels and will comparing frames from the raw video, the 5×5 median video and the adaptively replaced 5×5 median.
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