《种族的骄傲》

Creating the Jazz Solo Pub Date : 2018-10-09 DOI:10.14325/mississippi/9781496819772.003.0013

Vic Hobson

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引用次数: 0

摘要

这一章描绘了阿姆斯特朗回到芝加哥，与厄斯金·塔特的管弦乐队合作，为默片伴奏。在这一时期，他作为一名歌手的发展，特别是与“HeebieJeebies”有关，他与W. C. Handy的合作以及他的布鲁斯作品。讨论了汉迪和阿姆斯特朗的四重奏和音乐教育背景的相似之处，以及蓝调曲调中和弦替换的使用。

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“The Pride of Race”

This chapter charts Armstrong’s return to Chicago working with Erskine Tate’s orchestra playing to accompany silent films. His development as a singer during this period particularly in relation to “HeebieJeebies,” and his involvement with W. C. Handy and his blues compositions. There is discussion of the similarities of the quartet and music educational background of both Handy and Armstrong and the use of chord substitutions in blues tunes.

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Creating the Jazz Solo

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