哈特曼的艺术崇高美学

Theoria, Beograd Pub Date : 1900-01-01 DOI:10.2298/theo2102099g

Nebojša Grubor

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引用次数: 0

摘要

本文讨论了崇高在艺术层次组织中的地位、崇高边缘的现象和与崇高相对立的现象。研究的结果是，广义审美意义上的美不仅在形式上和冷漠地优于崇高和其他主要审美范畴，而且崇高与相反的迷人现象一起限制了美学维度，而艺术形成的美在美学的狭义意义上出现。

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Hartmann′s aesthetics of the sublime in arts

The text discusses the place of the sublime in the organization of the strata of arts, the phenomenon on periphery of the sublime and phenomenon in opposition to the sublime. The result of the research is that beauty in a broader aesthetic sense is not only formally and indifferently superior to the sublime and other main aesthetic categories, but that the sublime together with opposite phenomenon of charming limits the aesthetic dimension within which artistically formed beauty appears in an aesthetically narrower meaning.

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Theoria, Beograd

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