{"title":"音乐艺术的语言:巴西音乐艺术的历史概述","authors":"Alberto Carlos de Souza","doi":"10.9734/ARJASS/2021/V14I130228","DOIUrl":null,"url":null,"abstract":"This study sought to re-visit the two conceptions of Art – pedagogical and reflective - forged throughout history and its relationship with the Brazilian aesthetic thought of resistance. From the 60's, such thinking has given a pedagogical purpose to art, charged with the task of social criticism and political engagement human emancipatory: In this scenario mainly determined by the Theater of the Oppressed, the new movies and the protest song by Milton Nascimento, Caetano Veloso, Chico Buarque, Gilberto Gil, among many others.","PeriodicalId":112054,"journal":{"name":"Asian Research Journal of Arts & Social Sciences","volume":"93 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Language of the Art of Music: An Overview of Its History in Brazil\",\"authors\":\"Alberto Carlos de Souza\",\"doi\":\"10.9734/ARJASS/2021/V14I130228\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study sought to re-visit the two conceptions of Art – pedagogical and reflective - forged throughout history and its relationship with the Brazilian aesthetic thought of resistance. From the 60's, such thinking has given a pedagogical purpose to art, charged with the task of social criticism and political engagement human emancipatory: In this scenario mainly determined by the Theater of the Oppressed, the new movies and the protest song by Milton Nascimento, Caetano Veloso, Chico Buarque, Gilberto Gil, among many others.\",\"PeriodicalId\":112054,\"journal\":{\"name\":\"Asian Research Journal of Arts & Social Sciences\",\"volume\":\"93 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Asian Research Journal of Arts & Social Sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.9734/ARJASS/2021/V14I130228\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian Research Journal of Arts & Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.9734/ARJASS/2021/V14I130228","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Language of the Art of Music: An Overview of Its History in Brazil
This study sought to re-visit the two conceptions of Art – pedagogical and reflective - forged throughout history and its relationship with the Brazilian aesthetic thought of resistance. From the 60's, such thinking has given a pedagogical purpose to art, charged with the task of social criticism and political engagement human emancipatory: In this scenario mainly determined by the Theater of the Oppressed, the new movies and the protest song by Milton Nascimento, Caetano Veloso, Chico Buarque, Gilberto Gil, among many others.
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