{"title":"再读绘歌的衰落:电影世界的三种危机话语，1908","authors":"Robin Cauche, T. Barnard","doi":"10.2979/filmhistory.32.1.04","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Historians have well documented the decline of illustrated songs in nickelodeons in the United States from 1909 to 1913. In this article, a close examination of the 1907 and 1908 issues of Moving Picture World shows that several crises occurred before 1909 that help us understand this decline. Here I examine three main crises: the structural crisis of free music, the economic and aesthetic crisis of piracy, and the legal dispute over exclusive illustration rights.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rereading the Decline of the Illustrated Song: Three Crisis Discourses in Moving Picture World, 1908\",\"authors\":\"Robin Cauche, T. Barnard\",\"doi\":\"10.2979/filmhistory.32.1.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:Historians have well documented the decline of illustrated songs in nickelodeons in the United States from 1909 to 1913. In this article, a close examination of the 1907 and 1908 issues of Moving Picture World shows that several crises occurred before 1909 that help us understand this decline. Here I examine three main crises: the structural crisis of free music, the economic and aesthetic crisis of piracy, and the legal dispute over exclusive illustration rights.\",\"PeriodicalId\":426632,\"journal\":{\"name\":\"Film History: An International Journal\",\"volume\":\"28 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film History: An International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/filmhistory.32.1.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film History: An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/filmhistory.32.1.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Rereading the Decline of the Illustrated Song: Three Crisis Discourses in Moving Picture World, 1908
ABSTRACT:Historians have well documented the decline of illustrated songs in nickelodeons in the United States from 1909 to 1913. In this article, a close examination of the 1907 and 1908 issues of Moving Picture World shows that several crises occurred before 1909 that help us understand this decline. Here I examine three main crises: the structural crisis of free music, the economic and aesthetic crisis of piracy, and the legal dispute over exclusive illustration rights.
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