品牌文化中形象的视觉分析

J. Schroeder
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引用次数: 37

摘要

文化规范、意识形态话语和修辞过程被认为影响着消费者与广告、品牌和大众媒体的关系。如果品牌作为文化、意识形态和修辞对象存在,那么研究人员需要开发工具来理解文化、意识形态和修辞,并结合更典型的品牌概念,如股权、战略和价值。本章主张在广告研究中运用艺术史想象力,揭示了代表性惯例——或描绘物体、人物或身份的共同模式——如何以广告研究经常回避的方式与修辞过程一起工作。一些新的理论概念为研究提供了富有成效的方向,包括快照美学——在营销传播中越来越多地使用类似快照的图像——以及消费的转换镜像——反映了广告如何运作的基本假设。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Visual Analysis of Images in Brand Culture
Cultural codes, ideological discourse, and rhetorical processes have been acknowledged as influences on consumer's relationships with advertising, brands and mass media. If brands exist as cultural, ideological, and rhetorical objects, then researchers require tools developed to understand culture, ideology and rhetoric, in conjunction with more typical branding concepts, such as equity, strategy, and value. This chapter argues for an art historical imagination within advertising research, one that reveals how representational conventions - or common patterns of portraying objects, people, or identities - work alongside rhetorical processes in ways that often elude advertising research. Several new theoretical concepts, including snapshot aesthetics - the growing use of snapshot-like imagery in marketing communication - and the transformational mirror of consumption - which reflects basic assumptions about how advertising works - provide productive directions for research.
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