用比较分析法培养设计师学生的设计思维(以17 - 18世纪俄罗斯和德国的历史和传统服装材料为例)

O.S. Zamaziy, V. A. Maltseva
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引用次数: 0

摘要

本文探讨了设计专业学生设计思维形成的一个方面。这种具有专业意义的人格特质是未来服装设计师胜任力模型的基础。在基础学科、历史文化学科的学习中,运用对比分析的方法,设计师学生根据研究结果,成功地掌握了剪纸元素的历史和民族特征,服装的造型和装饰原则。本文以17 - 18世纪德国和俄罗斯的传统服饰为例,介绍了在“服装史”研究中进行比较分析的经验。作为实验室工作坊和课程设计的一部分,分步进行的工作包括在历史回顾中研究德国和俄罗斯的传统服装,分析服装的特点及其设计特点,在对作者的现代服装模型收藏的草图进行比较分析的基础上,为选定的历史时期制作一个大型模型娃娃,并找到创意和发展的来源。重点对所选历史时期的传统服饰进行分析,研究服饰的主要形式,比较服饰的设计特点和装饰方案,服饰的材质和色彩搭配,以及服饰的穿着方式。上述国家服装的历史多样性,使学生通过比较分析的方法,不仅可以识别和系统化在结构元素、配件、材料和颜色使用上的共同特征和差异,而且可以获得积极的动力来研究世界各国人民的历史和文化,实现他们在设计领域的创造能力,发展专业技能和能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FORMATION OF DESIGN THINKING OF DESIGNER- STUDENTS BY THE METHOD OF COMPARATIVE ANALYSIS (ON THE MATERIAL OF THE HISTORICAL AND TRADITIONAL COSTUME OF XVII-XVIII CENTURIES RUSSIA AND GERMANY)
The article examines one of the aspects of the formation of design thinking in designer-students. This professionally significant personality trait is the basis for the competence model of the future costume designer. Using the method of comparative analysis in the study of basic, historical and cultural subjects, designer-students, according to the results of the study, successfully master the historical and ethnic features of cut elements, the principles of shaping and decorating a costume. The article presents the experience of conducting a comparative analysis within the study of “History of the costume” on the example of the traditional costumes of Germany and Russia of the 17th – 18th centuries. The step-by-step work, organized as a part of the laboratory workshop and course design, included the study of traditional costumes in Germany and Russia in a historical retrospective, an analysis of the characteristics of costumes and their design features, the implementation of a large-scale mock-up doll for the selected historical period and the source of creativity and development based on a comparative analysis of fore-sketches of the author's modern collection of clothing models. The main emphasis was placed on the analysis of traditional costumes of the selected historical period in order to study the main forms of the costume, we compare the design features and decorative solutions, the materials used and color combinations in the costume and the ways of wearing it. The historical diversity of the costumes of the aforementioned countries allowed students, using the method of comparative analysis, not only to identify and systematize both common features and differences in the use of structural elements, accessories, materials and colors, but also to get positive motivation to study the history and culture of the peoples of the world, to realize their creative abilities in the field of design, to develop professional skills and abilities.
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