从小李到大人物

M. Abate
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引用次数: 0

摘要

结语表明,《妙女郎》的传统要求我们重新审视20世纪中期和新千年开始的几十年里美国漫画的历史。回忆和恢复小露露、南希、假小子、小孤儿安妮和小奥黛丽等角色,恢复了年轻女性主角在早期美国漫画中的重要地位和强大地位。与此同时,对这些女性角色骨干的认识改变了我们对当今漫画中越来越多的女孩的看法。发生在21世纪初的美国漫画中的事件可以与20世纪初的漫画联系起来。有趣、活泼、令人敬畏的女主人公的崛起代表了传统的延续,而不是美国漫画的根本转变。因此,《后记》揭示了,虽然这些章节中描述的许多人物的名字都包含了缩略词“li'l”或“little”,但他们的文化遗产却很大。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Li’l to Big
The Epilogue makes a case that the tradition of Funny Girls calls for a reconsideration of the history of American comics both during the mid-twentieth century and during the opening decades of the new millennium.Remembering and recouping characters like Little Lulu, Nancy, Li'l Tomboy, Little Orphan Annie, and Little Audrey restores the important place and powerful status that young female protagonists had in early American comics.At the same time, an awareness of this cadre of female characters changes our perspective on the growing presence of girls in comics in the present day.Events taking place in American comics from the early twenty-first century can be connected to those from the early twentieth century.Far from embodying a radical shift in US comics, the rise of fun, feisty, and formidable female protagonists represent the continuation of a tradition.Accordingly, the Epilogue reveals that while the names of many of the characters profiled in these chapters include the diminutive "li'l" or "little," their cultural legacy has been big.
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