从本地到全球:比尔/詹森编剧合作

Cathy Moore
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引用次数: 0

摘要

Cath Moore提请注意大多数丹麦导演采用的独特的丹麦联合写作流程,即导演和编剧合作编写剧本并分享写作荣誉。比尔最成功的电影都是与安德斯·托马斯·詹森(Anders Thomas Jensen)合作创作的,后者在创作过程中也与演员合作,在合作阅读后重写故事情节和对话。摩尔以比尔/詹森三部曲为重点,描绘了比尔的个人作品与詹森自编自导的黑暗讽刺和荒诞主义电影之间的创作分歧。摩尔总结道,比尔和詹森这对无与伦比的作品在评论界和商业上的成功,是因为他们偏爱高度戏剧化的故事,这些故事关注的是超越丹麦本土空间的个人冲突。她认为,这些跨国故事情节利用不同的国家背景作为故事构建的一个重要方面,将共同的人性形象化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Local to Global: The Bier/Jensen Screenwriting Collaboration
Cath Moore draws attention to the unique Danish co-writing process that most Danish directors employ, in which a director and screen-writer collaborate on scripts and share writing credit. Bier’s most successful films have been co-written with Anders Thomas Jensen, who also works with actors during the writing process, rewriting lines of story and dialogue after collaborative reading sessions. With a focus on the Bier/Jensen trilogy, Moore delineates the creative divergences between Bier’s solo work and Jensen’s dark satirical and absurdist self-written and directed films. Moore concludes that the critical and commercial success of the unparalleled Bier/Jensen oeuvre is a result of their preference for highly dramatic stories focused on personal conflict that transcends the local domestic space of Denmark. These transnational storylines, she believes, utilize different national settings as an important facet of story construction to visualize a shared humanity.
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