激光投影仪的散斑感知和干扰限制

G. Verschaffelt, S. Roelandt, Y. Meuret, Wendy Van den Broeck, K. Kilpi, B. Lievens, An Jacobs, P. Janssens, H. Thienpont
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引用次数: 1

摘要

我们研究了在激光电影放映机中可以容忍的散斑水平。为此,我们在电影院的房间里安装了一台原型激光投影仪。在一项主观的“体验质量”实验中,研究人员召集了186名参与者来评估几部短片预告片的斑点感知。这项研究很重要,因为在投影系统中引入激光一直受到投影图像中存在斑点的阻碍。我们通过统计分析观察者对不同散斑量的响应来确定散斑干扰阈值,并使用定义良好的散斑测量方法进行监测。分析表明,人类观察者的斑点感知不仅依赖于客观测量的斑点量,而且还受图像内容的强烈影响。正如[Verschaffelt et al., Scientific Reports 5, art. 5]中所讨论的那样。Nr . 14105, 2015]我们发现,对于运动图像,如果投影仪的红色、绿色和蓝色原色的散斑对比度大于6.9%、6.0%和4.8%,那么散斑就会变得令人不安,而对于静止图像,散斑检测阈值约为3%。由于我们无法独立调节每种原色的散斑对比度,因此这个散斑干扰极限似乎是由红色的6.9%散斑对比度决定的,因为这种原色含有最多的散斑。因此,电影的散斑干扰极限比静止图像的大得多,因此更容易达到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Speckle perception and disturbance limit in laser based projectors
We investigate the level of speckle that can be tolerated in a laser cinema projector. For this purpose, we equipped a movie theatre room with a prototype laser projector. A group of 186 participants was gathered to evaluate the speckle perception of several, short movie trailers in a subjective ‘Quality of Experience’ experiment. This study is important as the introduction of lasers in projection systems has been hampered by the presence of speckle in projected images. We identify a speckle disturbance threshold by statistically analyzing the observers’ responses for different values of the amount of speckle, which was monitored using a well-defined speckle measurement method. The analysis shows that the speckle perception of a human observer is not only dependent on the objectively measured amount of speckle, but it is also strongly influenced by the image content. As is also discussed in [Verschaffelt et al., Scientific Reports 5, art. nr. 14105, 2015] we find that, for moving images, the speckle becomes disturbing if the speckle contrast becomes larger than 6.9% for the red, 6.0% for the green, and 4.8% for the blue primary colors of the projector, whereas for still images the speckle detection threshold is about 3%. As we could not independently tune the speckle contrast of each of the primary colors, this speckle disturbance limit seems to be determined by the 6.9% speckle contrast of the red color as this primary color contains the largest amount of speckle. The speckle disturbance limit for movies thus turns out to be substantially larger than that for still images, and hence is easier to attain.
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