{"title":"“音乐总是围绕着我”","authors":"Vic Hobson","doi":"10.14325/mississippi/9781496819772.003.0003","DOIUrl":null,"url":null,"abstract":"This chapter discusses the street songs sung by street traders in New Orleans and the relationship between the traders’ songs, transcribed by R. Emmet Kennedy and published in Mellows (1925), and blue-notes and barbershop “swipes.” This chapter also explores the relationship between spasm bands, ragtime, quartet singing and the emerging jazz bands of New Orleans.","PeriodicalId":412217,"journal":{"name":"Creating the Jazz Solo","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Always Had Music All Around Me”\",\"authors\":\"Vic Hobson\",\"doi\":\"10.14325/mississippi/9781496819772.003.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter discusses the street songs sung by street traders in New Orleans and the relationship between the traders’ songs, transcribed by R. Emmet Kennedy and published in Mellows (1925), and blue-notes and barbershop “swipes.” This chapter also explores the relationship between spasm bands, ragtime, quartet singing and the emerging jazz bands of New Orleans.\",\"PeriodicalId\":412217,\"journal\":{\"name\":\"Creating the Jazz Solo\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Creating the Jazz Solo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14325/mississippi/9781496819772.003.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Creating the Jazz Solo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14325/mississippi/9781496819772.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter discusses the street songs sung by street traders in New Orleans and the relationship between the traders’ songs, transcribed by R. Emmet Kennedy and published in Mellows (1925), and blue-notes and barbershop “swipes.” This chapter also explores the relationship between spasm bands, ragtime, quartet singing and the emerging jazz bands of New Orleans.