{"title":"横向移动与幽灵般的同性恋儿童:艾莉森·贝克德尔《欢乐之家》中的酷儿空间隐喻","authors":"Jocelyn Sakal Froese","doi":"10.1353/ink.2020.0020","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This piece thinks through Alison Bechdel’s Fun Home: A Family Tragicomic through salient spatial metaphors proffered by contemporary queer theorists. Specifically, I think through the work of Kathryn Bond-Stockton, J. Halberstam, and Sara Ahmed, and mobilize ideas about lateral lines of connectivity inherent to the lived experience of queers, about ghostly gay children, and about real and metaphorical tables.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"125 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Lateral Moves and Ghostly Gay Children: Queer Spatial Metaphors in Alison Bechdel’s Fun Home\",\"authors\":\"Jocelyn Sakal Froese\",\"doi\":\"10.1353/ink.2020.0020\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This piece thinks through Alison Bechdel’s Fun Home: A Family Tragicomic through salient spatial metaphors proffered by contemporary queer theorists. Specifically, I think through the work of Kathryn Bond-Stockton, J. Halberstam, and Sara Ahmed, and mobilize ideas about lateral lines of connectivity inherent to the lived experience of queers, about ghostly gay children, and about real and metaphorical tables.\",\"PeriodicalId\":392545,\"journal\":{\"name\":\"Inks: The Journal of the Comics Studies Society\",\"volume\":\"125 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Inks: The Journal of the Comics Studies Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/ink.2020.0020\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Inks: The Journal of the Comics Studies Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ink.2020.0020","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Lateral Moves and Ghostly Gay Children: Queer Spatial Metaphors in Alison Bechdel’s Fun Home
ABSTRACT:This piece thinks through Alison Bechdel’s Fun Home: A Family Tragicomic through salient spatial metaphors proffered by contemporary queer theorists. Specifically, I think through the work of Kathryn Bond-Stockton, J. Halberstam, and Sara Ahmed, and mobilize ideas about lateral lines of connectivity inherent to the lived experience of queers, about ghostly gay children, and about real and metaphorical tables.
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