原文导论

Jane Marcus
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引用次数: 0

摘要

简·马库斯概述了她的研究方法,并把重点放在南希·库纳德作为一个诗人的身上,把库纳德在诗歌领域的参与与现代主义的权威人物(如T.S.艾略特、埃兹拉·庞德和斯蒂芬·斯彭德)联系起来,并指出她拒绝那个时代主流美学的方式。她还通过乔治·摩尔(George Moore)和诺曼·道格拉斯(Norman Douglas)父亲形象对她童年和青年时期的影响,探讨了冠纳德对白人的关注。库纳德对黑人文化的参与,《黑人选集》的编纂,以及她在西班牙内战期间作为记者致力于反法西斯主义和左翼政治激进主义的新闻报道,以及为非裔美国人美联社工作,也在这里被考虑在内。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction to the Original Text
Jane Marcus outlines her methodology and focus on Nancy Cunard as a poet, contextualizing Cunard’s involvement in the poetry scene with canonical figures of modernism, such as T.S. Eliot, Ezra Pound, and Stephen Spender, and pointing to the ways in which she rejected the dominant aesthetic of her age. She also explores Cunard’s concern with whiteness through the influence of father figures, George Moore and Norman Douglas, from her childhood and young adulthood. Cunard’s engagement with Black culture, the compilation of the Negro Anthology, and her journalism devoted to anti-fascism and leftist political activism as a reporter during the Spanish Civil War and for the African American Associated Press are also considered here.
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