{"title":"《费城之火》、《独行侠》、《唐托在天堂的拳斗》中历史与“慢暴力”的再现","authors":"Alice F. Orr","doi":"10.2218/FORUM.32.6460","DOIUrl":null,"url":null,"abstract":"After connecting history to urban spatiality in Teju Cole's Open City, this paper develops Rob Nixon's articulation of \"slow violence\" to demonstrate how John Edgar Wideman and Sherman Alexie's novels depict issues of authenticity in storytelling, highlighting the limitations of representing the effects of “slow violence” on the cultural, physical, and economic welfare of marginalised communities in the aftermath of major violent events.","PeriodicalId":439591,"journal":{"name":"FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Exploring the Representation of History and 'Slow Violence' in \\\"Philadelphia Fire\\\" and \\\"The Lone Ranger and Tonto Fistfight in Heaven\\\"\",\"authors\":\"Alice F. Orr\",\"doi\":\"10.2218/FORUM.32.6460\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"After connecting history to urban spatiality in Teju Cole's Open City, this paper develops Rob Nixon's articulation of \\\"slow violence\\\" to demonstrate how John Edgar Wideman and Sherman Alexie's novels depict issues of authenticity in storytelling, highlighting the limitations of representing the effects of “slow violence” on the cultural, physical, and economic welfare of marginalised communities in the aftermath of major violent events.\",\"PeriodicalId\":439591,\"journal\":{\"name\":\"FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2218/FORUM.32.6460\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2218/FORUM.32.6460","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在Teju Cole的《开放的城市》中将历史与城市空间性联系起来之后,本文发展了Rob Nixon对“缓慢暴力”的阐述,以展示John Edgar Wideman和Sherman Alexie的小说如何在故事叙述中描述真实性问题,强调在重大暴力事件发生后,“缓慢暴力”对边缘化社区的文化、物质和经济福利的影响的局限性。
Exploring the Representation of History and 'Slow Violence' in "Philadelphia Fire" and "The Lone Ranger and Tonto Fistfight in Heaven"
After connecting history to urban spatiality in Teju Cole's Open City, this paper develops Rob Nixon's articulation of "slow violence" to demonstrate how John Edgar Wideman and Sherman Alexie's novels depict issues of authenticity in storytelling, highlighting the limitations of representing the effects of “slow violence” on the cultural, physical, and economic welfare of marginalised communities in the aftermath of major violent events.