{"title":"不和谐声音的合唱:激进女权主义者与父权宗教的对抗","authors":"Cindy L. White, C. Dobris","doi":"10.1080/10417949309372905","DOIUrl":null,"url":null,"abstract":"This genre analysis of feminist responses to patriarchal religion examines selected works by Mary Daly, Ti‐Grace Atkinson, and Sally Gearhart. Specifically, we identify radical feminist anti‐religious rhetoric as deriving from what Harrell and Linkugel (1980) call organizing principles found in recurring situations that generate discourse characterized by a family of common factors (p. 406). We selected works that can be explored under the “motivational classification.”","PeriodicalId":212800,"journal":{"name":"Southern Journal of Communication","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1993-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"A chorus of discordant voices: Radical feminist confrontations with patriarchal religion\",\"authors\":\"Cindy L. White, C. Dobris\",\"doi\":\"10.1080/10417949309372905\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This genre analysis of feminist responses to patriarchal religion examines selected works by Mary Daly, Ti‐Grace Atkinson, and Sally Gearhart. Specifically, we identify radical feminist anti‐religious rhetoric as deriving from what Harrell and Linkugel (1980) call organizing principles found in recurring situations that generate discourse characterized by a family of common factors (p. 406). We selected works that can be explored under the “motivational classification.”\",\"PeriodicalId\":212800,\"journal\":{\"name\":\"Southern Journal of Communication\",\"volume\":\"13 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1993-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Southern Journal of Communication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10417949309372905\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Southern Journal of Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10417949309372905","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A chorus of discordant voices: Radical feminist confrontations with patriarchal religion
This genre analysis of feminist responses to patriarchal religion examines selected works by Mary Daly, Ti‐Grace Atkinson, and Sally Gearhart. Specifically, we identify radical feminist anti‐religious rhetoric as deriving from what Harrell and Linkugel (1980) call organizing principles found in recurring situations that generate discourse characterized by a family of common factors (p. 406). We selected works that can be explored under the “motivational classification.”