海明威《太阳照常升起》中的荒诞

Miruna Ciocoi-Pop, Emilian Tîrban
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引用次数: 0

摘要

本文的目的是通过运用不同的哲学著作来概括同一思想,捕捉和传达海明威第一部小说《太阳照常升起》中生活荒谬的母题。首先,荒诞的概念将通过对小说的荒诞主义批评来检验,运用阿尔伯特·加缪、索伦·克尔凯郭尔、弗里德里希·尼采和其他哲学家的哲学思想,这些哲学家在他们的哲学中抓住了荒诞的本质,所有这些都是为了在海明威的小说中表现出这个概念,并展示它是如何真正体现在一些最重要的人物的心理和行为上的,贯穿全书的三个部分。提到“失落的一代”的概念,因为它是理解的基石,首先,人物的背景和当前的心理状态以及战争对整个一代人的影响,导致他们不愿意寻找意义,这篇文章努力呈现为无意义的生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Absurdity in Ernest Hemingway’s The Sun Also Rises
Abstract The purpose of this essay is to capture and convey, through the use of different works of philosophy that encapsulate thoughts on the same idea, the motif of the absurdity of life in Ernest Hemingway’s first novel The Sun Also Rises. The concept of the absurd will be, first and foremost, examined through absurdist criticism of the novel, using the philosophical thought of Albert Camus, Soren Kierkegaard, Friedrich Nietzsche and other philosophers who captured the essence of the absurd in their philosophy, all in order to represent this concept in Hemingway’s novel and to show how it truly manifests itself upon some of the most important characters’ psychology and their actions, portrayed throughout the three parts of the book. Mention will be made of the concept of “Lost generation” as it is the cornerstone to understanding, firstly, the characters’ background and current psychological status and the effects that the war had on an entire generation, leading them to an unwilling search for meaning in what this essay strives to present as a meaningless life.
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