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引用次数: 0
摘要
本文通过对三部LGBTQ+电影《狂野与青春》(Marialy Rivas, 2012)、《谈话地图》(Constanza Fernández Bertrand, 2011)和《另一部爱情电影》(Otra película de amor) (Edwin oarce, 2010)的分析,探讨酷儿主体性通过将成长小说类型变成酷儿,在修正智利近期历史中的作用。年轻一代的崛起对老一代的道德和伦理一致性提出了质疑,因为他们作为新自由主义体系的主体,暴露了自己的道德和意识形态裂痕;同时,作为阿连德人民团结政府革命失败的非自愿帮凶。这篇文章讨论了新的社会纽带的形成,在伦理上与年轻一代的欲望和意义的视野相一致,并通过“乖戾的酷儿青少年”的形象进行了探索,完成了对智利今天出现的新的社会和主体间契约的分析。
Jóvenes y alocadxs: Políticas de memoria y sexualidad en el cine chileno contemporáneo
This article discusses, through the analysis of three LGBTQ+ films, Wild and Young [Joven y Alocada] (Marialy Rivas, 2012), A Map to talk [Mapa para conversar] (Constanza Fernández Bertrand, 2011) and Another Love Movie [Otra película de amor] (Edwin Oyarce, 2010), the role of queer subjectivities in revising the Chile's recent past through queering the bildungsroman genre. The coming-out of the younger generation questions the moral and ethical consistency of the older generation by exposing them to their own ethical and ideological fractures as subjects co-opted by the neoliberal system; and at the same time, as involuntary accomplices of the revolutionary failure of Allende's Popular Unity government. The article’s discussion of the formation of new social bonds, ethically consistent with the younger generation’s desires and horizons of meaning, and their exploration through the figure of the "perverse queer teen," completes the proposed analysis of the new social and intersubjective contracts present in Chile today.