{"title":"“几乎看不到一块砖”:打破“邱园”和“墙上的标记”的界限","authors":"Karina Jakubowicz","doi":"10.3828/liverpool/9781942954569.003.0007","DOIUrl":null,"url":null,"abstract":"This chapter focuses on two of Woolf's short stories, how their narrative style is mirrored in their binding and the physical presentation of the text as both stories focus on visual image.","PeriodicalId":402065,"journal":{"name":"Virginia Woolf and the World of Books","volume":"54 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Scarcely a Brick to Be Seen”: Breaking Boundaries in “Kew Gardens” and “The Mark on the Wall”\",\"authors\":\"Karina Jakubowicz\",\"doi\":\"10.3828/liverpool/9781942954569.003.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter focuses on two of Woolf's short stories, how their narrative style is mirrored in their binding and the physical presentation of the text as both stories focus on visual image.\",\"PeriodicalId\":402065,\"journal\":{\"name\":\"Virginia Woolf and the World of Books\",\"volume\":\"54 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Virginia Woolf and the World of Books\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/liverpool/9781942954569.003.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Virginia Woolf and the World of Books","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/liverpool/9781942954569.003.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“Scarcely a Brick to Be Seen”: Breaking Boundaries in “Kew Gardens” and “The Mark on the Wall”
This chapter focuses on two of Woolf's short stories, how their narrative style is mirrored in their binding and the physical presentation of the text as both stories focus on visual image.
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